Learn To Bead

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Archive for September, 2013

KEEPING YOUR FINGERS, HANDS, ARMS, EYES AND MIND IN GOOD WORKING ORDER

Posted by learntobead on September 26, 2013

KEEPING YOUR FINGERS, HANDS, ARMS, EYES AND MIND
IN GOOD WORKING ORDER

QUESTION:
What kinds of things do you do to keep your fingers, hands, arms, eyes and mind focused, nimble and in good working order?

finger-exercises2

Beading and Jewelry Making require lots of mind-body coordination. This takes work. It is work.

You have to control your stringing material. With needle and thread, you have to be able to get from your fingers to the needle to the beads, back along the thread to the needle to the fingers, hands, arms, eyes, mind. And then again. And again. Over and over, one more time. You need to get into a rhythm. All these working parts need to be working. No time for cramping. No time to get tired. No time to lose concentration.

A rhythm. Needle, pick up bead, pull down along thread, check the tension, pick up a bead, pull down along thread, check the tension, pick up a bead….

I noticed that different instructors had various techniques and strategies for maintaining this rhythm. Yes, music was involved sometimes. Othertimes simple meditation or creative reading and discourse. Some people had some stretching exercises that they did. Others tested themselves before proceeding with their big project. Still others did small things to reconfirm their learning.

I adapted some of their techniques into a workshop I do on Beading Calisthenics. Here is Exercise # 1.

finger-exercises3

BEADING CALISTHENICS #1: 5-Finger Stretchies

This exercise is used to prevent your fingers from cramping. Often, when beading, you are holding your hand and fingers in a very tight, controlled, sometimes unnatural or uncomfortable position. You should stop periodically, and do 5-Finger Stretchies. This is a wonderful exercise which relaxes the muscles in your hands.
Take one hand and hold it arm out, palm forward. Your arm is parallel to the floor. Your palm, fingers up, is perpendicular to the floor. Tighten every muscle in every finger, and pull each finger inward and downwards towards the point they meet the palm, but don’t touch the palm. Picture making a claw with your pulled back fingers.
Squeeze the tension, release. Squeeze, release. Squeeze, release. Do this rapidly, perhaps 4 squeeze/releases a second. Do this for 10 seconds.
Now do this with the other hand. 10 seconds.
Do this a couple times with each hand.
Then return to your beading.

finger-exercises

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Learn An Easy, Anyone-Can-Do-It, Pearl Knotting Technique

Posted by learntobead on September 25, 2013

PEARL KNOTTING WITH WARREN FELD
Our class now a video tutorial online at CraftArtEdu.com .

http://www.craftartedu.com/warren-feld-pearl-knotting-with-warren-feld

Pearl40-8mm

 

 

Classic Elegance! Learn a simple Pearl Knotting technique anyone can do. No special tools. Beautiful. Durable. Wearable.

 

Everything you need to know for successfully designing with pearls, including knotting – traditional vs non traditional methods, attaching clasps, finishing, care of your pearls, repair and types of pearls, the nature of the pearl. Jewelry designer Warren Feld will lead you through this comprehensive CraftArtEdu class that is all about pearls. 6 Broadcasts.  Downloadable handout.

 

Price: $40

Level: All Levels

Duration: 106:17 minutes

 

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New KITS available at Land of Odds

Posted by learntobead on September 16, 2013

Now at Land of Odds – Beading and Jewelry
Making Kits For Sale

Land of Odds

KITS: Project
Gallery

For Fun! To Learn! As Gifts!

NOTE: Regular retail
and wholesale store discounts do not apply to kits.

Click
on kit name to find

descriptions and ordering information:

MORE KITS

 


 

NEW KITS!


DAFFODIL CUFF BRACELET

Bead Weaving Curriculum

Bead Embroidery

Intermediate Level

A spring
time garden cuff! A simple bead embroidered base highlights delicate daffodils
woven with brick and ladder stitches.

daffodil-cuff


AUTUMN’S
END BRACELET

Bead Weaving Curriculum

Petersburg Chain, Ndebele

Advanced Level

The
last flower of the season! The blooms will explode as they burst open
with Ndebele, Petersburg, peyote and brick stitches.

autumnsend


ETRUSCAN
VINE NECKLACE

Bead Weaving Curriculum

Netting

Intermediate Level

Impress
with this Tuscany-inspired necklace! Combine Bead Stringing and Netting
techniques to make this fun, classy piece.

etruscan-vine


PRICING
AND SELLING YOUR JEWELRY

pricing

Our class is now available online at CraftArtEdu.com

Learn how to achieve “fair pricing” for your art with
businessman/ artist, Warren Feld. Understand your role in the world
of jewelry commerce and how to make money by doing what you love,
through fair pricing of your work. No handout is included in this
class.

“TODAY’S LESSON IS ABOUT ONE KEY TO SUCCESS: SMART PRICING.
WE DISCUSS WHY JEWELRY SELLS. WE GO OVER DIFFERENT KINDS OF PRICING
STRATEGIES USED BY JEWELRY DESIGNERS AND THE JEWELRY INDUSTRY. I
PRESENT A SIMPLE MATHEMATICAL PRICING FORMULA. I EXPLAIN THE FORMULA,
AND BREAK THIS DOWN INTO LITTLE STEPS. THEN WE PRACTICE APPLYING
THE FORMULA AND PRICING SOME PIECES OF JEWELRY.

AT THE END OF THE LESSON, I DISCUSS THE DIFFERENCES AMONG RETAIL,
WHOLESALE AND CONSIGNMENT. I BRIEFLY DISCUSS SOME KEY BUSINESS STRATEGIES
WHICH ARE VERY RELATED TO PRICING. AND I OFFER SOME FINAL WORDS
OF ADVICE.”

Media: Jewelry

Level: Beginner

Duration: 51:09


TUXEDO
PARK BANGLE BRACELET

Bead
Weaving Curriculum

Brick Stitch

Advanced Beginner

Strut
your stuff through Tuxedo Park on the East Side of

Lower Manhattan! Learn how much shaping, interest and

dimensionality you can achieve with the simple, basic Brick Stitch.

tuxedopark

Now, also available
as a video
tutorial

on CraftArtEdu.com


CRYSTAL
EXCITEMENT BRACELET


Bead Stringing Curriculum

Learn to Use Cable Wire and the Crimping Technique

Beginner Level

Strut
your bling with crystals! Elegant and exciting, this bracelet will

show-case your jewelry-making talents. Learn Bead Stringing using cable wire
and the crimping technique.

crystal-excitement


BLAZING
BARNACLES NECKLACE

Bead Weaving Curriculum

Right Angle Weave Stitch

Intermediate Level

No
need to scrape off these barnacles!

Construct your own colony of barnacles using right angle weave and peyote
stitches.

blazing-barnacles


BY
THE SEA BRACELET


Bead Stringing Curriculum

Learn to Use Needle and Thread

Beginner Level

A remembrance
of that beautiful day at the beach! Mementos

picked up along the dunes and water’s edge, strung on thread.

Learn to Bead String using needle and thread.

bythesea


SO YOU WANT TO DO CRAFT SHOWS…

Business of Craft

CraftArtEdu.com Video Tutorial

By Warren Feld

http://www.craftartedu.com/warren-feld-so-you-want-to-do-craft-shows

craftshows

In this class,
presented in 6 parts with 16 lessons, artist and businessman, Warren Feld,
will fill you in on the ins and outs, the dos and the don’ts of
selling at craft shows and fairs. Which are best for you, which may be
a waste of your time. How to compute the revenue you must earn to justify
participating in an event. This is a must see class for anyone thinking
of entering the art and craft show world and will maximize your chances
of success in these venues. 6 Broadcasts.

Level: All Levels

Duration: 113:58


DRAGON BACK BRACELET

Bead
Weaving Curriculum

Bead Crochet

Intermediate Level

Daggers
are for wearing! Bead crochet a stunning two-sided bracelet

– one side using size 8/0 seed beads and the other all glass daggers.

dragonback

 

 


THE
UGLY NECKLACE CONTEST

– A Jewelry
Design Competition With A Twist


Grand Prize: $992.93 shopping spree on Land of Odds web-site (www.landofodds.com)

Runner Up Prize: $399.07 shopping spree on Land of Odds web-site.

Consider
entering our

2012 9th International The Ugly Necklace Contest

Deadline: 8/31/2014

Official Rules

http://www.landofodds.com/store/uglynecklace.htm

ugly3t2frn

 


MORE KITS

 

 

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GOOD JEWELRY DESIGN: Subjective or Objective?

Posted by learntobead on September 12, 2013

GOOD JEWELRY DESIGN:
The Result of Subjective or Objective Choices?

soundtrackcolorfull2

QUESTION: Can choices about jewelry design ever be truly objective? Or are they primarily subjective?

 

Is good jewelry design more a matter of “taste”, or is there some scientific basis which underlies it?

 

What do you think?

 

Do you think there are “universal” rules and understandings that good jewelry designers would be wise to adopt, or is each and every designer on their own?

 

colormetalblockcloseup1

 

 

I think, that if we observed and measured the jewelry design process, that much of it is very subjective, that is a matter of personal taste.   Much appreciation of design and color and color combinations seems very subjective.

 

People have certain social and cultural preset notions about what they prefer.   Some people have a personal preference for browns, others for purples, and so forth.   So people like a lot of fringe; others are minimalists.

 

Psychologists have found that some people will like a color or combination of colors or design elements if arranged vertically.     If arranged horizontally, they then don’t like them.    And vice versa.  Some people like things, when horizontally arranged, but dislike these same things when vertically arranged.

tamayadetail1

 

People respond in very different ways to how design elements and colors, as well as shading, highlighting and tinting, are distributed throughout the piece.    They might like the components, when distributed in a certain way, but dislike the piece, when the components are re-arranged and re-distributed.

 

Some people get very excited when the colors or elements in their jewelry have very sharp boundaries and clear demarcations.    Others hate this.   They prefer a blurring or blending or smudging up of things.

 

When confronted with a very monochromatic piece, or one with little rhythm, some people feel relieved, and others bored or anxious.

 

Some people prefer pieces that exude a lot of power; others prefer their pieces subdued.

romari1-hires-full-moneyshot-medium

 

 

 

 

As a designer, if things are mostly a matter of personal taste, style, and perspective, it gets more confusing about how to design things.   What kinds of things should be included and which excluded?   What strategies can you employ for choosing and combining colors and design elements?   What things should you learn, if anything at all?

 

Without proven, universal, objective, grammatical set of rules for using and combining things, how do we design things?   How do we know which things are better, smarter and more satisfying, and which are not?

 

Yet, as we page through the bead magazines, and click through the various jewelry-themed web-pages, I find that a lot of people agree on what is good, and what isn’t.    On what is satisfying, and what isn’t.  On what works, and what doesn’t.   When there is a lot of agreement, perhaps, there are some universal understandings – OBJECTIVE rules – operating here.   What might these be?

 

Is Design purely subjective, or can you see some objective framework that may be at play, as well?

 

 

What do you think?

 

 

 

 

Warren

Land of Odds (www.landofodds.com)
Warren Feld Jewelry

 

Posted in jewelry design | Tagged: , | 1 Comment »

AUTUMN’S END BRACELET – New Kit at Land of Odds

Posted by learntobead on September 11, 2013

AUTUMN’S END BRACELET
http://www.landofodds.com/store/kitsautumnsabout.htm

 autumnsend-full1-displayres72

Bead Weaving Curriculum

Petersburg Chain, Ndebele

Advanced Level

 

The last flower of the season! The blooms will explode as they burst open with Ndebele, Petersburg, peyote and brick stitches.

 

Posted in Stitch 'n Bitch | Leave a Comment »

HELP US WIN BIG!

Posted by learntobead on September 11, 2013

~ HELP US WIN BIG! ~
Go to:
http://www.beadandbutton.com/cjs

Type in:
BE DAZZLED BEADS, NASHVILLE, TN

newbdfront4

10/31/2013 Deadline
During September and October 2013, Bead & Button is selecting one store to win a $5000.00 shopping spree at CJS SALES in New York City, a source of lots of unusual stuff for us to sell.

Posted in Stitch 'n Bitch | 1 Comment »

MIXED MEDIA BEADWORK

Posted by learntobead on September 3, 2013

MIXED MEDIA BEADWORK

It’s my belief that you cannot combine two different media to make a piece of jewelry without letting one of them predominate over the other.

 

Agree or disagree?

 

kumihimo

kumihimo

 

Whether combining fiber with beads or metal with beads or paint and sculpture with beads, it is difficult to have a successful, satisfying outcome, without letting one of the media be dominant over the other.

Each media has its own set of structural rules and requirements.    Each interacts with light and shadow very differently; that is, the materials and techniques associated with a particular media reflect, absorb and refract light differently.

These kinds of things make the viewer’s experience and interaction with the media and its resulting products different, from media to media.

kumihimo

kumihimo

So, you can have a “knitting” project that incorporates some beads, or a “beading” project that uses a knitting stitch.   In the former, knitting would predominate, with more focus on the fibers; in the latter, beading would predominate, with more focus on the beads.    You can have a wire project that incorporates some beads, or a beading project that incorporates some wire elements.

But it is rare that you can look at a project, and say it concurrently meets the criteria for success of both media – so, both a successful, satisfying knitting AND beading project, and both a successful wire AND beading project.   It is difficult to preserve the integrity of either media if you force them to be co-equals.

 

beaded art doll

beaded art doll

And you can draw parallels across media to situations crossing materials, as well.    It is difficult to mix materials within the same project.    For example, it is difficult to mix glass and acrylic beads, or glass and gemstone beads….Unless, you let one material become predominant over the other.

But all of this is very challenging, almost off-putting, to the jewelry designer who wants to combine media techniques and materials.

How can techniques and materials in other craft and art disciplines be combined with beads to make jewelry?    And, how can other art and craft disciplines incorporate beads or traditional beading techniques to make jewelry?

 

beaded art doll

beaded art doll

If you have created mixed media projects, or enjoy viewing them,

  1. What lessons can we learn from attempting to mix media and have two or more media, techniques and materials co-exist in the same piece?
  2. How easily can you combine beads with fibers, without  diminishing the integrity of either medium as an art form?
  3. What are the pros and cons?
  4. What kinds of compromises do we have to make?
  5. Does Mixed Media affect our vision of the piece as art?   Or craft?
  6. Can you “bead” the same way you “work wire” and in the same way you “manipulate fibers” or “sculpt clay”, and so forth? – all to impact the viewer, their experience and satisfaction with your piece?    Or do you have to develop new strategies for coordinating media?

 

What do you think?

Share them by posting them to our group.

 

 

 

Warren
Land of Odds (www.landofodds.com )
Warren Feld Jewelry
Center for Beadwork & Jewelry Arts

 

 

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