Posted by learntobead on February 13, 2013
Turkmen Jewelry from the Marshall and
Marilyn R. Wolf Collection
Exhibit at the NY Metropolitan Museum of Art
This exhibit displays the metal and stone-set jewelry of the nomadic Turkmen people of Central Asia.
Turkmen women’s jewelry consisted of headgear in the form of crowns, caps, headbands, and braid ornaments; pendants attached to headdresses and suspended on either side of the head; earrings; pectoral and dorsal ornaments; amulet holders; appliqués for clothing; armbands; and rings.
The exhibition is organized according to the principal techniques employed by Turkmen silversmiths. One grouping shows fire gilding, a technique in which gold filings—possibly obtained from coins—were combined with mercury in a paste that was brushed onto prepared silver; heat drove off the mercury, and the remaining gold was burnished to a brilliant sheen.
Other items feature stamped beading that was produced by stamping metal from behind to obtain the appearance of individual beads or granulation on the front.
A third section focuses on the inlay of carnelian and turquoise using bezels.
The fourth major technique— openwork decoration—involved the use of a chisel or fine fret saw to cut through silver sheets.
The surface decoration is typically represented by a repetition of objects or motifs — such as lozenges, squares, ovals and diamonds. There are style variations from tribal group to tribal group within this vast area the Turkmen people occupy.
I always like to get inspired by ethnic designs, ornamentation and construction techniques.
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Posted by learntobead on February 10, 2013
Suzanne Belperron — Influential Jeweler, 1930’s thru 1970’s
Suzanne Belperron was a successful jeweler, widely influential. She was one of the few female jewelry designers of her time. Her daring creations remain today of extraordinary modernity and aesthetics. She began her career in 1919 at age 19. She died in 1983. Her life and career spanned the modern movement in the arts, feminism and the emergence of fashion as a big business. Her style reflected the movement in the jewelry design field away from very ornamental pieces, to those which emphasize bold forms.
Her creations appeared in the most influential fashion magazines of the time, including Vogue and Harper’s Bazaar. Her clients included royalty, celebrities and aristocrats.
She never signed her pieces. She claimed, “My style is my signature.”
She introduced unprecedented combinations of stones and minerals in her designs.
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Posted by learntobead on February 10, 2013
GISBERT STACH – MAKING ART OR JEWELRY?
I read this blog post about Gisbert Stach recently. Intriguing. Could some art, displayed like jewelry, not be considered jewelry?
The “art” is definitely here, expressed through symbolic paradoxes and juxtapositions. The juxtaposition of jewelry and wearer evokes a response of the viewer, and makes the viewer think about what is acceptable/unacceptable, satisfying, unsatisfying, jewelry/not jewelry. The use of materials evokes the contemporary, but at the same time, reminds one of ethnic ornamentation and the historical.
There is an unsettling sense of the need and desire for ornamentation, and the ability of the body to support it.
Posted in Art or Craft? | Tagged: art vs. jewelry, gisbert stach | Leave a Comment »
Posted by learntobead on February 5, 2013
Call For Submissions:
Showcase 1000 Beads
Lark Jewelry & Beading (http://www.facebook.com/LarkJewelryBeading) seeks
excellent photographs of original, contemporary beads in all materials to
publish in a new juried, international collection in our 500 Series of
books: Showcase 1000 Beads. This book is scheduled to be published in
January 2014. The book will be juried by glass beadmaker Kristina Logan.
We welcome and encourage submission of photographs of your handmade beads in
all materials, including glass, metal, polymer clay, metal clay, ceramics,
paper, fiber, plastic, wood, stone, etc., and in all design styles. All work
must be made no earlier than 2010, and the more recent the work the better;
we would prefer to see your 2012 work over your 2011 work, and your 2011
work over your 2010 work.
We strongly prefer images of beads that have not been published previously,
and please do NOT submit images of pieces that have been published in any
Lark book. We can accept only high-quality digital images. Artists will
receive full acknowledgment within the book and a complimentary copy.
Artists retain copyright of their work. There is no entry fee.
All submissions must be submitted electronically through Juried Art
Services. Note that there is no fee for using Juried Art Services. The entry
page can be found at the following link: http://bit.ly/VTfT6E or, the full
Entries must be submitted by February 14, 2013.
All visuals submitted must represent work that is original in design. A
maximum of four entries per artist is allowed, so please submit your best
work. An entry may consist of no more than two visuals: an overall shot and
one detail (or alternate view); the detail shots are not required. The
primary images you submit should each be different designs. For example,
please do not submit four variations of very similar beads; instead, submit
one bead from each of four series.
Important: Lark will only publish photos of entries containing images and
text that are free of copyright or for which the artist (or approved
institution) holds copyright.
I've already received two questions repeatedly about this call for entries,
so I'll answer them here: My model for the work in the book is Showcase 1000
Glass Beads. That means most of the photos are of a bead or beads, but some
photographs of beads incorporated in jewelry or other artwork, in which the
beads are highlighted, will be considered. Ultimately those choices will
rest in the juror's final decision-making. Also, beaded beads are acceptable
Thank you for your participation, either in submitting entries yourself or
sharing the call for entries with your craft community.
Please join us on Facebook, as well:
Lark Jewelry & Beading
Asheville, North Carolina 28801
(828) 253-0467 ext. 762
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