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Posts Tagged ‘vintage jewelry’

NEW FASHION JEWELRY: Understanding the “Quality” Within These New Collectibles

Posted by learntobead on June 13, 2020

At a Jewelry Show in Atlanta only a few years ago, Jayden and I discovered a rapidly evolving fashion trend towards reproduction vintage looks using new more recently available materials. These particular new fashion trends were the looks and styles of the pieces everyone there was selling there.

It is important to understand, however, that, when purchasing fashion jewelry, there is more to consider than how a piece looks. You need to understand something about the materials used and the overall construction. Only in this way can you be sure that you are purchasing what we would call “collectible costume jewelry.”

The reproduction vintage looks are obvious — a reference to the stylish pieces of the 1930s, 40s, 50s and 60s, using modern materials and construction technologies. Great colors. Strong and soft colors. Lots of faceting and sparkle.

The use of new materials includes higher end acrylics, new metallic composites, specialized glass and Chinese crystal.

These green components, in the piece shown above, are made out of Chinese crystal, not plastic. To the naked eye, you might see a similar piece where the components are plastic, looking like but definitely not crystal. The eye can deceive itself. Simple test: click bead against a stiff surface or front teeth. If crystal or glass, you will hear a sharp click; if plastic, you will hear a dull click.

These new fashion pieces should be considered “collectable” costume jewelry. But, again, it is important to understand what you are buying. There are many lower quality copies — what we’d call “disposable jewelry” — you’ll find at discount stores and online. You want to be sure you are buying the quality we would call “collectible”. The price will reflect whether the jewelry is “collectible” or “disposable.”

So, You Want Your Fashion Jewelry To Be Made With…

* Glass, Crystal and/or Advanced Plastics

Typically, you will find a mix of materials within you piece. Materials you do not want would include enameled or colored ceramics or regular plastic or metalized plastic or plastic pearls.

* Advanced Plastics, if any components are plastic

Just like with things like wood or metal, there are many grades of quality among plastics. The differences between advanced plastics and regular plastics can be as widely divergent as between metals like gold and aluminum.

The higher end plastics, even when up close, look very similar to the gemstones or crystals they are meant to resemble. Jade plastic looks like real jade. Plastic opals look like real opal. And so forth.

The higher end plastics have a depth to them. Detailing seems embedded and runs throughout. Low-end plastics rely on surface qualities and the use of decals just below the thin, clear plastic surface.

For high end costume jewelry, the “point-hardness” of these advanced plastics, that is, how easily the material can be scratched, will be much higher, thus less easily scratched, than cheaper plastics.

* Better metal composites and finishes, with more substance and realistic finishes

In these lines of jewelry, whether higher end or lower end, very little is real 100% metal these days. The chains are composites. The settings for the stones are composites.

In the metal-composite chains and settings used in the lower quality jewelry, at close inspection, you will find them to be cheap, flimsy and light-weight. Moreover, the metallic finish-colors are off the mark and look somewhat fake. For example, the actual color that may be representing gold, when compared to other quality pieces, may not look like gold at all.

There may be rough spots that can get caught on clothing or scratch the skin. In higher end pieces, manufacturers check their quality, to make sure there are no rough spots.

But always inspect your jewelry before you leave the store. When purchasing any piece of costume jewelry, you should feel all over the piece to be sure there are no rough spots.

* Better set stones

Stones are typically glued in. If the setting does not have much surface area, the glue will not hold for very long.

In some pieces, the designs give the illusion of “prong-set” stones. In the lower end, the prongs have very sharp points. In the higher end, the prongs have smooth or balled-up tips.

Things To Do To Increase Longevity Of Your New Fashion Jewelry

After purchasing your new pieces of Fashion Jewelry, you will have the option to do two things to make them more durable and lasting:

  1. If the piece has stones which have been glued in, and have open settings on the backs, apply some more glue to the backs of the settings, all along the edges. Use a glue like E6000 or Beacon 527. This will keep the stones from ever popping out. Reason: The glue manufacturers typically use dries hard, with no flexibility. If the pieces are accidently dropped or hit against something, the shock can make the stone pop away from the hard glue.

By reinforcing them with the E6000 or Beacon 527, these bonds dry like rubber and act like a shock absorber. Thus the stones are less likely to pop off.

Necklace with stones set in settings with open backs

Open back on set stones in necklace

2. On all areas which have metal plated finishes and which will be touching the skin, apply two coats of clear nail polish to these surfaces. This will preserve the plated finishes for a very long time, yet doesn’t affect the shine or sheen of the metal underneath it.

NOTE: This is very generalized advice. Every person’s body oils and chemistry have different effects on the metal finishes. A person may be able to wear a piece of costume jewelry for months and years and it may not disintegrate on them; another person might wear it for a few months, and the metal finishes deteriorate.

Cleaning

All jewelry has to be maintained and kept clean. Follow this simple advice for keeping your new jewelry pieces clean and sparkling.

Periodically, give your jewelry a quick bath. In a bowl, mix a very-little-amount of baby shampoo and cold water. Immerse the whole piece of jewelry in this bath, just long enough to loosen any dirt. Take it out.

Under cold water, rinse it off. Take a paper towel or cloth, and dry the piece off. NOTE: “Pat Dry” with the towel. Don’t “Rub”.

Then, you might take a hair dryer, setting it on the lowest setting, and keeping it 6–8” away from your piece, and blow dry. DON’T LET YOUR PIECES GET TOO HOT. An alternative strategy is to put your piece of jewelry in front of a small fan.

Dry both sides. Leave your piece out in the open air over night, to be sure there is no moisture trapped in closed crevices.

Always remember that the side laying against the towel or cloth may still be more damp than the side facing up. So, before storing your piece, check and be sure it is dry.

Store your piece flat in a zip lock plastic bag. Be sure to push the air out of bag before sealing bag. One simple way to do this is to insert a straw into the bag, and seal the top as close to the straw as you can get. Suck out the air, remove the straw, and finish sealing the zip-lock bag closed.

Then lay your bagged up piece on flat surface. You do not want your piece to be jumbled into a pile. You do not want to hang your jewelry on a stand. The weight of the beads will stretch out the stringing material.

Put your pieces in a cool, dry place out of sunlight. Never store two pieces on top of each other without something to separate them. Don’t pile up jewelry on top of other jewelry.

At a restaurant, if you drip gravy on your necklace, how do you clean it off? If it is something that has caked or dried on it, you may have to soak it in a solution of a very-little-amount of baby shampoo and cold water. Use a q-tip to clean away the spotted areas.

Your Reproduction Vintage Pieces Should Be Around For 30, 40, even 50 years

Your goal is to have your reproduction vintage jewelry to be around 30, 40, 50 years from now. It will keep its value. These pieces should not be disposable.

Go to your antique stores, ask to see their vintage jewelry from the 1930s, 40s to 60s, and look and see at the availability, quantity and cost of high-end costume jewelry. This will give you an idea of what you’re getting with your investment.

In these older pieces, some were made from Lucite or other high-end plastics of the time. And other pieces were copies crafted in regular plastic. Lucite is a glass-like acrylic resin. It has a resilience, a hardness, and a malleability which made it perfect for costume jewelry. Regular plastic lacks the clarity and sparkle, yellows with age, and scratches much more easily.

Your new higher-end fashion jewelry — better made, more attractive, more appealing — will increase in value over the decades instead of ending up in the trash.

Other Articles of Interest by Warren Feld:

Oy Ve! The Challenges of Custom Work

The Importance of Self-Promotion: Don’t Be Shy

Are You Prepared For When The Reporter Comes A-Calling?

Don’t Just Wear Your Jewelry…Inhabit It!

Two Insightful Psych Phenomena Every Jewelry Designer Needs To Know

A Dog’s Life by Lily

Copyrighting Your Pieces: Let’s Not Confuse The Moral With The Legal Issues

Jewelry, Sex and Sexuality

Jewelry Design: An Occupation In Search Of A Profession

Teaching Discplinary Literacy: Strategic Thinking In Jewelry Design

Contemporary Jewelry Is Not A “Look” — It’s A Way Of Thinking

Beads and Race

Were The Ways of Women or of Men Better At Fostering How To Make Jewelry

The Bridesmaid Bracelets

How To Design An Ugly Necklace: The Ultimate Designer Challenge

I hope you found this article useful. Be sure to click the CLAP HANDS icon at the bottom of this article.

Also, check out my website (www.warrenfeldjewelry.com).

Subscribe to my Learn To Bead blog (https://blog.landofodds.com).

Visit Land of Odds online (https://www.landofodds.com)for all your jewelry making supplies.

Enroll in my jewelry design and business of craft video tutorials online.

Add your name to my email list.

Posted in Stitch 'n Bitch | Tagged: , , , , | Leave a Comment »

The New Vintage Fashion Jewelry — Learn To Recognize Quality Pros and Cons

Posted by learntobead on April 17, 2020

THE NEW VINTAGE FASHION JEWELRY

At several jewelry shows over the past 5 years, we have marveled at a continually evolving fashion trend towards reproduction vintage looks using new, more recently available materials.

It is important to understand, however, that, when purchasing fashion jewelry, there is more to consider than how a piece looks. You need to understand something about the materials used and the overall construction. Only in this way can you be sure that you are purchasing what we would call “collectible costume jewelry.”

The reproduction vintage looks are obvious — a reference to the stylish pieces of the 1930s, 40s, 50s and 60s, using modern materials and construction technologies. Great colors. Strong and soft colors. Lots of faceting and sparkle.

The use of new materials includes higher end acrylics, new metallic composites, specialized glass and Chinese crystal.

These green components, in the piece shown above, are made out of Chinese crystal, not plastic. To the naked eye, you might see a similar piece where the components are plastic, looking like but definitely not crystal. The eye can deceive itself. Simple test: click bead against a stiff surface or front teeth. If crystal or glass, you will hear a sharp click; if plastic, you will hear a dull click.

These new fashion pieces should be considered “collectable” costume jewelry. But, again, it is important to understand what you are buying. There are many lower quality copies — what we’d call “disposable jewelry” — you’ll find at discount stores and online. You want to be sure you are buying the quality we would call “collectible”. The price will reflect whether the jewelry is “collectible” or “disposable.”

So, You Want Your Fashion Jewelry To Be Made With…

* Glass, Crystal and/or Advanced Plastics

Typically, you will find a mix of materials within you piece. Materials you do not want would include enameled or colored ceramics or regular plastic or metalized plastic or plastic pearls.

* Advanced Plastics, if any components are plastic

Just like with things like wood or metal, there are many grades of quality among plastics. The differences between advanced plastics and regular plastics can be as widely divergent as between metals like gold and aluminum.

The higher end plastics, even when up close, look very similar to the gemstones or crystals they are meant to resemble. Jade plastic looks like real jade. Plastic opals look like real opal. And so forth.

For high end costume jewelry, the “point-hardness” of these advanced plastics, that is, how easily the material can be scratched, will be much higher, thus less easily scratched, than cheaper plastics.

When you see patterns or designs in regular plastic, these typically are decals applied to the surface, or just under a clear encasing at the surface. With advanced plastics, these patterns or designs flow throughout the entire piece.

  • Better metal composites and finishes, with more substance and realistic finishes

In these lines of jewelry, whether higher end or lower end, very little is real 100% metal these days. The chains are composites. The settings for the stones are composites.

In the metal-composite chains and settings used in the lower quality jewelry, at close inspection, you will find them to be cheap, flimsy and light-weight. The metal finishes flake or wear off quickly. Moreover, the metallic finish-colors are off the mark and look somewhat fake. For example, the actual color that may be representing gold, when compared to other quality pieces, may not look like gold at all. There may be rough spots that can get caught on clothing or scratch the skin.

In higher end pieces, manufacturers check their quality, to make sure there are no rough spots. The durability and the finishes hold up well over time. It is difficult to distinguish the composite from the actual metal it is imitating and approximating.

But always inspect your jewelry before you leave the store. When purchasing any piece of costume jewelry, you should feel all over the piece to be sure there are no rough spots

* Better set stones

Stones are typically glued in. If the setting does not have much surface area, the glue will not hold for very long.

In some pieces, the designs give the illusion of “prong-set” stones. In the lower end, the prongs have very sharp points. In the higher end, the prongs have smooth or balled-up tips.

Things To Do To Increase Longevity Of Your New Fashion Jewelry

After purchasing your new pieces of Fashion Jewelry, you will have the option to do two things to make them more durable and lasting:

  1. If the piece has stones which have been glued in, and have open settings on the backs, apply some more glue to the backs of the settings, all along the edges. Use a glue like E6000 or Beacon 527. This will keep the stones from ever popping out. Reason: The glue manufacturers typically use dries hard, with no flexibility. If the pieces are accidentally dropped or hit against something, the shock can make the stone pop away from the hard glue.

By reinforcing them with the E6000 or Beacon 527, these bonds dry like rubber and act like a shock absorber. Thus the stones are less likely to pop off.

Necklace with stones set in settings with open backs

Open back on set stones in necklace

2. On all areas which have metal plated finishes and which will be touching the skin, apply two coats of clear nail polish to these surfaces. This will preserve the plated finishes for a very long time, yet doesn’t affect the shine or sheen of the metal underneath it.

NOTE: This is very generalized advice. Every person’s body oils and chemistry have different effects on the metal finishes. A person may be able to wear a piece of costume jewelry for months and years and it may not disintegrate on them; another person might wear it for a few months, and the metal finishes deteriorate

3. Unfortunately, much of this jewelry is strung on monofilament (clear fishing line). This stringing material dries out and cracks from exposure to ultraviolet light and heat — basically from sunshine.

If you have the change re-string these pieces on cable wire (which is a flexible, nylon coated stringing wire). Two brands of cable wire I especially recommend are Soft Flex and Flexrite. (Most other brands of cable wire have other issues which make them considerably less desirable to use in jewelry).

Cleaning

All jewelry has to be maintained and kept clean. Follow this simple advice for keeping your new jewelry pieces clean and sparkling.

Periodically, give your jewelry a quick bath. In a bowl, mix a very-little-amount of baby shampoo and cold water. Immerse the whole piece of jewelry in this bath, just long enough to loosen any dirt. Take it out.

Under cold water, rinse it off. Take a paper towel or cloth, and dry the piece off. NOTE: “Pat Dry” with the towel. Don’t “Rub”.

Then, you might take a hair dryer, setting it on the lowest setting, and keeping it 6–8” away from your piece, and blow dry. DON’T LET YOUR PIECES GET TOO HOT. An alternative strategy is to put your piece of jewelry in front of a small fan.

Dry both sides. Leave your piece out in the open air over night, to be sure there is no moisture trapped in closed crevices.

Always remember that the side laying against the towel or cloth may still be more damp than the side facing up. So, before storing your piece, check and be sure it is dry.

Store your piece flat in a zip lock plastic bag. Be sure to push the air out of bag before sealing bag. One simple way to do this is to insert a straw into the bag, and seal the top as close to the straw as you can get. Suck out the air, remove the straw, and finish sealing the zip-lock bag closed.

Then lay your bagged up piece on flat surface. You do not want your piece to be jumbled into a pile. You do not want to hang your jewelry on a stand. The weight of the beads will stretch out the stringing material.

Put your pieces in a cool, dry place out of sunlight. Never store two pieces on top of each other without something to separate them. Don’t pile up jewelry on top of other jewelry.

At a restaurant, if you drip gravy on your necklace, how do you clean it off? If it is something that has caked or dried on it, you may have to soak it in a solution of a very-little-amount of baby shampoo and cold water. Use a q-tip to clean away the spotted areas.

Your Reproduction Vintage Pieces Should Be Around For 30, 40, even 50 years

Your goal is to have your reproduction vintage to be around 30, 40, 50 years from now. It will keep its value. These pieces should not be disposable.

Go to your antique stores, ask to see their vintage jewelry from the 1930s, 40s to 60s, and look and see at the availability, quantity and cost of high-end costume jewelry. This will give you an idea of what you’re getting with your investment.

In these older pieces, some were made from Lucite or other high-end plastics of the time. And other pieces were copies crafted in regular plastic. Lucite is a glass-like acrylic resin. It has a resilience, a hardness, and a malleability which made it perfect for costume jewelry. Regular plastic lacks the clarity and sparkle, yellows with age, and scratches much more easily.

Your new higher-end fashion jewelry — better made, more attractive, more appealing — will increase in value over the decades instead of ending up in the trash.

Other Articles of Interest by Warren Feld:

Oy Ve! The Challenges of Custom Work

The Importance of Self-Promotion: Don’t Be Shy

Are You Prepared For When The Reporter Comes A-Calling?

Don’t Just Wear Your Jewelry…Inhabit It!

Two Insightful Psych Phenomena Every Jewelry Designer Needs To Know

A Dog’s Life by Lily

Copyrighting Your Pieces: Let’s Not Confuse The Moral With The Legal Issues

Jewelry, Sex and Sexuality

Jewelry Design: An Occupation In Search Of A Profession

Teaching Discplinary Literacy: Strategic Thinking In Jewelry Design

Contemporary Jewelry Is Not A “Look” — It’s A Way Of Thinking

Beads and Race

Were The Ways of Women or of Men Better At Fostering How To Make Jewelry

The Bridesmaid Bracelets

How To Design An Ugly Necklace: The Ultimate Designer Challenge

I hope you found this article useful. Be sure to click the CLAP HANDS icon at the bottom of this article.

Also, check out my website (www.warrenfeldjewelry.com).

Subscribe to my Learn To Bead blog (https://blog.landofodds.com).

Visit Land of Odds online (https://www.landofodds.com)for all your jewelry making supplies.

Enroll in my jewelry design and business of craft video tutorials online.

Add your name to my email list.

Posted in Stitch 'n Bitch | Tagged: , , , , | Leave a Comment »

Cristobal Balenciaga

Posted by learntobead on October 25, 2011

Cristobal Balenciaga

http://cristobalbalenciagamuseoa.com/Ingles.html

Cristobal Balenciaga was a Spanish fashion designer who began selling fashion and accessories aroun 1919, but came into prominence in the 1950’s.   He’s known for building in very broad shoulders into jackets, blouses and gowns.    He also brought into fashion the Tunic Dress, and the high Empire Waist dress and gown.

He was a hands-on designer, making many of his own clothing, as well as jewelry.

He was considered one of the all-time great couturiers.    His pieces are very collectible.

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Paul Flato Hollywood Whimsical Jewelry

Posted by learntobead on December 19, 2010

Paul Flato – Hollywood Whimsical Jewelry

Paul Flato, who died at 98 in 1999, was known as the Jeweler To The Stars.    In the 1930’s and 1940’s, he brought European styling to costume and fine jewelry, and added some Hollywood whimsical touches.

He grew up in Texas near the King Ranch, in a well-to-do family.   He began making jewelry and bejeweled saddles there.

After a stint at The University of Texas at Austin, Flato moved to Manhattan and attended Columbia University, then spent several years working for jewelers before he went into business for himself, opening a boutique on 57th Street.

He advertised in VogueHarper’s Bazaar and Vanity Fair; hosted lavish jewelry fashion shows; had a booth at the 1939 World’s Fair; and soon sold his extravagant jewels to Brenda Frazier, Doris Duke, Norma Shearer, Katharine Hepburn, Marlene Dietrich, Millicent Rogers, Linda and Cole Porter, and dukes and duchesses.

His genius lay in eccentric assemblages and unlikely color combinations of stones that were theatrical and conceptual.

n 1938, Flato opened a store on Sunset Boulevard in Hollywood at the urging of George Cukor and designed jewels for the movie Holiday with Katharine Hepburn and Cary Grant. Then came five more motion pictures: Hired WifeThat Uncertain FeelingBlood and SandTwo-Faced Woman and The Lady is Willing.

Perhaps you’ve seen some of these pieces of jewelry from old movies and fashion magazines.

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Another Collectible Vintage Jewelry Artist

Posted by learntobead on September 22, 2010

Theodor Fahrner
Another Collectible Vintage Jewelry Artist

Fahrner created sterling with gemstone, crystal, or rhinestones, pieces of jewelry in the 1910’s and 1920’s in Germany.    His style varied a bit from avante garde-art nouveau-art deco to more traditional styles.

Fahrner is an example of a big enterprise jeweler.    He patented several processes for mechanically or partially-mechanically reproducing jewelry.    While he designed jewelry himself, he also worked with jewelry artists all over Germany, and reproduced their designs under the Fahrner label.

His jewelry is associated with high quality workmanship.   He tended to avoid flowery and lacey forms within his pieces, because these would be difficult to mass produce.

Fahrner died in 1919, but his “label” continued until 1945.

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Jelly Bellies

Posted by learntobead on September 22, 2010

Jelly Bellies – Vintage Jewelry

Lots of people collect vintage jewelry today.    One of the most collectible vintage piece is known as a Jelly Belly.

Jelly Bellies are an animal made out of sterling or vermeil, with a carved piece of lucite for its belly.    It is rumoured that the lucite came from old airplane windshields.

A lucite belly is more valuable than a glass belly.   A clear lucite is better than a colored belly.

You can usually find these at next to nothing.   They resell for hundreds of dollars.

The first jelly bellies made have been made as early as 1938.  Most were made between 1943 and 1945, and set in sterling or vermeil.  Sterling was rationed and very expensive during these war years, so adding a piece of Lucite to the design made it possible to produce large, eye-catching designs. After the war and into the 1950’s they were made in base metals, but all of them are delightful!

Many costume jewelry manufacturers used the Jelly Bellies which means some are marked and some are not, but most famous are the Trifari and Corocraft sterling designs, which incorporated fantastic design with breathtaking quality of materials and craftsmanship.

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Vintage Interpretations

Posted by learntobead on September 15, 2009

Vintage Interpretations

Our bead study group is about to embark on a new series of studies involving bead weaving interpretations of vintage costume jewelry of the 1920’s thru 1950’s.

Walid is a contemporary jewelry designer I came across while researching materials for our new study unit.   He’s very into the interpreting of vintage approach, using bead embroidery, beaded fringe, lace applique.

Walid for CoutureLab

Walid for CoutureLab

 

When interpreting vintage pieces, it is important to understand the materials, and their contribution to the success of the piece.    You would probably want to use Czech seed beads, rather than Japanese, because the Czech seed beads are more irregular.   They would convey a more hand-done, rather than machine-done, sensibility to your piece.   You might rely on hand-cut beads rather than pressed glass, and older color palettes, rather than new ones, for similar reasons.

Walid for CoutureLab

Walid for CoutureLab

 

Historically, people wore jewelry for many reasons.    This included mourning, commemoration, fun, and imitating fine jewelry.

What were the goals of vintage styles?
– appreciation of hand craft
– to be “wealthy” was to be “elegant”
– decadence
– class distinctions
– eccentricy

Walid for CoutureLab

Walid for CoutureLab

People today are attracted to vintage pieces, because these pieces demonstrated great “hand” skill.    Working in vintage styles feels a lot like recapturing lost treasures.    These proven vintage styles seem to transcend fashion.   Wearing vintage jewelry always makes the wearer feel very special because these are always conversation pieces.

So, here were are trying to restore life to forgotten styles.    We want to try to be unique in a cookie cutter era.  

Walid for CoutureLab

Walid for CoutureLab

 

Walid for CoutureLab

Walid for CoutureLab

Some links of interest:

http://www.couturelab.com/editorial/story-walid.heml#1

http://www.collectorsweekly.com/articles/an-interview-with-vintage-costume-jewelry-collector-carole-tanenbaum/

http://www.collectorsweekly.com/costume-jewelry/overview

http://www.collectorsweekly.com/articles/an-interview-with-fine-jewelry-and-costume-jewelry-collector-christie-romero/

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Gallery Hopping in August

Posted by learntobead on August 14, 2009

    Jewelry Exhibits at Galleries Around The World

The Sting of Passion
Saturday 11 July 2009 – Sunday 25 October 2009
Manchester Art Gallery
Manchester, England
http://www.manchestergalleries.org/

 

Twelve international jewellery designers present new commissions in response to our Pre-Raphaelite painting collection.

Marianne Schliwinski for Joli Coeur by Dante Gabriel Rossetti

Marianne Schliwinski for Joli Coeur by Dante Gabriel Rossetti

Jivan Astfalck for Sappho by Charles-August Mengin

Jivan Astfalck for Sappho by Charles-August Mengin

 

 

Guild of Phillipine Jewellers
Winners from Past Design Competitions
http://www.guildofphilippinejewellersinc.com/index.php

 

 

galgp1

 

galgp2

 

 

galgp3

 

 

galgp4

 

 

galgp5

 

 

Dorothea Pruhl
http://www.farlang.com/exhibits/padua-dorothea-pruhl/home

galdp1

Dorothea Pruhl is a leading exponent of the current art jewellery scene.
galdp2
Her aesthetic stance is informed by abstract impressions from nature, concentration on essentials, eminent sensitivity and sculptural power.

galdp3

She makes basic statements in gold and silver – but also in wood, aluminium, titanium and stainless steel – impressions manifest in generously proportioned, clear entities.

galdp4

Starting with what is there, she tracks it down to its inmost core, applying to its quintessence a new aesthetic idiom – it might be a flower, the wind, a house, birds in flight.

Born in Breslau in 1937, Dorothea Pruhl studied art at Burg Giebichenstein in Halle before working in industry as a designer of manufactured jewellery.

galdp5

 

 

Susanne Klemm
http://www.susanneklemm.com/susanne.html

“Art creates memories of nature.”

galsk1

 

galsk2

 

galsk3

 

galsk4

 

 

An Interview With Vintage Costume Jewelry Collector Carole Tanenbaum

http://www.collectorsweekly.com/articles/an-interview-with-vintage-costume-jewelry-collector-carole-tanenbaum/

galt1

By Maribeth Keane and Jessica Lewis, Collectors Weekly Staff (Copyright 2009)

Carole Tanenbaum talks about vintage costume jewelry, discussing the major designers (such as Coco Chanel, Schiaparelli, Trifari, and Schreiner), popular fashion trends, and the origins of costume jewelry. She can be contacted at her website, caroletanenbaum.com.

 

jennifer trask: flourish

Susan Lomuto | Aug 11, 2009 |

http://dailyartmuse.com/2009/08/11/jennifer-trask-flourish/

galf1

 

Jennifer Trask’s latest series, Unnatural Histories: Flourish, begins with the following definitions of the word flourish:

1. To grow well or luxuriantly; thrive
2. To do or fare well; prosper
3. To be in a period of highest productivity; excellence or influence.
4. To make bold or sweeping movements.

The Hudson Valley, New York based artist, best known for jewelry that incorporates snake vertabrae, beetle shells, feathers, bone, pre-ban ivory and sea urchin shells, might have included her own name for a fifth definition. As her new work of removable jewelry mounted on encaustic drawings and paintings shows, Jennifer.Trask.Is.Flourishing.

 

Polymer Art Archive
http://polymerartarchive.com/

This is a site where professional artists working in the medium of polymer will find inspiration. Museum and gallery curators will be able to access documentation about the evolution of this vibrant medium for artistic expression. And serious collectors will discover windows to new works and the medium’s most collectable artists.

Sandra McCaw, Persian Cuff, 2007

Sandra McCaw, Persian Cuff, 2007

 

 

Rachel Carren, William Morris Sebo Brooch, 2009

Rachel Carren, William Morris Sebo Brooch, 2009

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