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All Dolled Up Competition – 2013 – Announcement

Posted by learntobead on May 14, 2010

ALL DOLLED UP:
Beaded Art Doll Competition

Theme: Transformations
Deadline 8/31/2013

Create a Beaded Art Doll by manipulating beads and forms into an imaginative tactile and visual 3-dimensional representation of this year’s theme: Transformations .
And then writing a Short Story (between 1000-2000 words) about your Beaded Art Doll, what it represents, and how it was created, starting with the sentence:
“As she turns towards me, her hands no longer seem familiar;
her face, once recognizable, now unexpected;
her aura, a palette of changed colors,
I want to share, but can’t all at once.
She is transforming, before my eyes, as if I wished it to happen,
for whatever reason — fun, mundane or sinister — I’m not sure.
But as she moves and evolves, a special insight occurs to me,
so I name her… “

The Fifth 2013 ALL DOLLED UP: BEADED ART DOLL COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.
Entries will be judged by a panel from The Center for Beadwork & Jewelry Arts. These distinguished Beadwork and Jewelry Artist instructors will judge each doll based on
1. INSIGHT: The Bead Artist’s inner awareness and powers of self-expression through sculptural beadwork, particularly in terms of how well this year’s Competition theme is incorporated into the piece.
2. TECHNIQUE(S):
a. Primarily, how well a particular stitch or stitches (or any other technique for applying the beads and embellishing the doll) is (are) executed within and around the piece.
b. Secondarily, how cleverly the internal structure/form/body of the doll has been created/constructed/chosen in relation to the artist’s goals.
3. USE OF BEADS/BEADING AS ARTISTIC MEDIUM: To what extent the doll may be viewed as a work of “art”, rather than “craft”; has the artist fully utilized the power of the “bead/beading stitch” as a medium for art — an expression of color, light, tactile sense and emotion; to what degree does the piece make you want to view the doll from all sides?
4. VISUAL APPEAL: The overall visual appeal of the doll.
5. QUALITY OF WRITTEN STORY: How well the written short story enhances an appreciation of the Beaded Art Doll, as well as the Artist’s talents in design, insight and implementation.
We Need Submissions!
A Beaded Art Doll is a physical representation in three dimensions, using human figural and expressive characteristics, through the creative use and manipulation of beads. Beads are a unique art medium, allowing multidimensional surface treatment, and phenomenal opportunities for interplay among colors, light, shadow, texture and pattern. Beaded Art Dolls submitted as entries for this Competition should be immediately recognizable as a “Doll” as defined above.
That said, Beaded Art Dolls submitted as entries for this competition may be realistic, surrealistic, whimsical or imaginary. They may be humanistic, animalistic, caricatures, cartoons, impressions or abstractions. The doll may take many forms, including a figure, purse, box, vessel, puppet, marionette, or pop-up figure.
Beaded Art Dolls should be between 8” and 36” in size. The surface area of the doll must be at least 80% composed of beads.
The doll’s internal form and structure may result from many techniques, materials and strategies. The bead stitches themselves might be used to create the skeletal structure. Various forms of cloth dolls might be stitched or embellished with beads. The underlying structure might be made of polymer clay, wood, ceramic, porcelain, Styrofoam, wire, corn husk, gourd, basket weaving, yarns, cardboard, paper, cotton, or some combination of materials. It might be a found form or object.
The Artist is given wide leeway in techniques for how the doll is to be beaded, and may use one particular technique or several. Techniques, for example, may include bead weaving stitches, bead embellishment, bead appliqué, bead knitting, bead crochet, bead embroidery, lampworking. For the 80% of the surface area that must be beaded, these would NOT include the application of rhinestones, sequins, nailheads or studs. The beads may be of any size, shape, color and material. [For the remaining 20%, any material is OK, including rhinestones, sequins, nailheads or studs.]
The Artist may include a doll stand or display support with the Art Doll, though this is not a requirement. This stand or support may be an off-the-shelf piece, or created from scratch by the Artist. It may be a base, a created setting, a decorative box, or frame. The stand or display support need not be beaded.
The Artist may interpret and apply the theme “Transformations” any way she or he chooses. The Beaded Art Doll might be thought of as a plaything; or as a visual representation of a person, feeling, spirit or thing; or as a tool for teaching; or as a method for stimulating emotional development or healing.
As an object of art, the goal of the Doll should be to make a statement, evoking an emotional, cultural or social response, either by the Artist her/himself or by others.
The Doll must be an original work, and may be the work of one Artist or a Collaboration.
Dolls have been a part of human existence for many thousands of years. Whether part of a ritual or part of child’s play, dolls function as symbols for meaning. Sometimes these meanings are broad social and cultural references; other times, these meanings focus on an individual’s relationship with oneself.
ALL DOLLED UP: BEADED ART DOLL COMPETITION is more than a beauty pageant. It is a design competition. The Competition will take into account the Artist’s intentions and how well these are incorporated into the design, both in terms of the use of beads/beading, as well as the construction of the doll’s form.

The Fifth 2013 ALL DOLLED UP: BEADED ART DOLL COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.

OFFICIAL RULES

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Semi-Finalists Announced — Ugly Necklaces

Posted by learntobead on April 27, 2010

8th International The Ugly Necklace Contest, 2010
A Jewelry Design Contest with a Twist!

Semi-Finalists Announced

OnLine Voting will begin June 1, 2010
on the
Land of Odds website

It’s that time of year again.    Time to put aside all your desires for beauty, art and taste, and put on your jewelry design skills cap.      Because here they are.  The 2010 Semi-Finalists of The Ugly Necklace Contest.    Each will be waiting for you to judge and evaluate them online.   So one can go home with the prize of $992.93 shopping spree on the Land of Odds website.

It’s Not Easy To Do Ugly!

Your mind and eye won’t let you go there. As research into color and design has shown, your eye and brain compensate for imbalances in color or in the positioning of pieces and objects – they try to correct and harmonize them. You are pre-wired to subconsciously avoid anything that is disorienting, disturbing or distracting.

Because of this, any jewelry designer who attempts to achieve “Ugly,” has to have enough control and discipline to override, perhaps overcome, intuitive, internally integrated principles of good design. Thus, the best jewelry designers will be those artists who can design the Ugliest Necklaces.

Our Special Rules for 2010 required that the color ‘purple’ be predominant in each necklace submission.

OnLine Voting will begin 6/1/10.

Here’s the line-up, with apologies to anyone who might be offended.    Let see how well these jewelry designers did to create something that is Ugly:

(1) Kimberly Allison
Escondido, California
“The Ugliest Necklace.  Period.”

(2) Alesia DiFederico
Southbury, Connecticut
“Super Duper Purple Pooper Scooper”

(3) Sandy Borglum
Chicago, Illinois
“The Purple Eyesore of Texas”

(4) Sharon Wagner
Sterling Heights, Michigan
“Round and Round”

(5) Deborah Eve Rubin
Rockville, Maryland
“The Colors of Purple”

(6) Bonnie J. Scherer
Palmer, Alaska
“Drinking Girl’s Necklace: The Grapes of Wrath”

(7) Lynn Margaret Davy
Wimborne, Dorset, United Kingdom
“Wrinkling”

(8) Jane W. West
Pelham, Alabama
“What Can I Make Today?”

How well do you think you can do?    You might consider starting now on your submission to our next contest.   Deadline is 3/15/2012.

Posted in Contests | Tagged: , , , | 2 Comments »

And the Winner Is….

Posted by learntobead on January 19, 2010

ALL DOLLED UP: Beaded Art Doll Competition
Winner and Runner-Up Announced

ALL DOLLED UP: Beaded Art Doll Competition

Congratulations to…

Kathy Ford, Winner, “Jolyma”

Jolyma

Dot Lewallen, Runner-Up, “Rachel’s Dream”

Rachel's Dream

Posted in beadwork, Contests | Tagged: , , | 1 Comment »

Last Chance to Vote OnLine – Beaded Dolls

Posted by learntobead on January 5, 2010

ALL DOLLED UP: Beaded Art Doll Competition
Last Chance To Vote On-Line:

Voting for our 6 semi-finalists ends 1/15/10
http://www.landofodds.com/store/alldolledup2009contest.htm

Artists around the nation were asked to create a Beaded Art Doll by manipulating beads and forms into an imaginative tactile and visual 3-dimensional representation of this year’s theme:Earthen Mother .

And then writing a Short Story (between 1000-2000 words) about your Beaded Art Doll, what it represents, and how it was created, starting with the sentence:

“The mirror reflects more than my hands can feel.
Lines, edges, shadings, a weariness under the eyes, an awkward stance.
Yet, not reflected is a certain vibrancy —
a compassion and wisdom and wonder so many people rely on.
Only you, my beaded art doll,
capture the fullness of me as I age in place .
You embody changes I want to make, so I aptly name you…”

The Fourth Bi-Annual 2009 ALL DOLLED UP: BEADED ART DOLL COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.

Our SemiFinalists:
Kathy Ford, Deep Gap, North Carolina
Vera Fox-Bond, LaVergne, Tennessee
Cathy Helmers, Dayton, Ohio
Ralonda Patterson, Decatur, Texas
Dot Lewallen, Westerville, Ohio
Joan Cromley, Sedro Woolley, Washington

Other programs of interest:
The Ugly Necklace Contest – A Jewelry Design Competition with a Twist
http://www.landofodds.com/store/uglynecklace.htm
THE ILLUSTRATIVE BEADER: Beaded Tapestry Competition
http://www.landofodds.com/store/tapestry.htm
LEARN TO BEAD Blog
http://blog.landofodds.com

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Voting Has Begun – Beaded Art Dolls

Posted by learntobead on November 2, 2009

OnLine Voting Has Begun!

ALL DOLLED UP: Beaded Art Doll Competition
http://www.landofodds.com/store/alldolledup2009contest.htm

Voting ends 1/15/2010

adu2009fordthumb

adu2009cromleythumb

adu2009foxthumb

adu2009helmersthumb

adu2009lewallenthumb

adu2009pattersonthumb

www.landofodds.com/store/alldolledup.htm

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ALL DOLLED UP: Beaded Art Doll Competition

Posted by learntobead on October 2, 2009

ALL DOLLED UP: Beaded Art Doll Competition
6 Semi-Finalists Announced
OnLine Voting begins around 11/07/09
www.landofodds.com/store/alldolledup.htm

Synopsis:
Creating a Beaded Art Doll requires an extraordinary mix of multi-media talents by the successful artist.   It involves the design of a 3-dimensional doll form.   It requires an imaginative application and manipulation of beads resulting in a tactile, visual and emotional representation of the artist’s goals.    This year, these goals are focused on the theme: EARTHEN MOTHER.

The Fourth Bi-Annual 2009 All Dolled Up: Beaded Art Doll Competition — sponsored by Land of Odds, Be Dazzled Beads, The Open Window Gallery and The Center for Beadwork & Jewelry Arts in Nashville, TN — sought out beaded art doll artists nationwide.     This competition primarily focuses on the design skills of the doll artists; it’s not merely a beauty pageant. 

Each entrant created a beaded art doll, and then wrote a story about it, beginning with this sentence:

“The mirror reflects more than my hands can feel.
Lines, edges, shadings, a weariness under the eyes, an awkward stance.
Yet, not reflected is a certain vibrancy —
a compassion and wisdom and wonder so many people rely on.
Only you, my beaded art doll,
capture the fullness of me as I age in place .
You embody changes I want to make, so I aptly name you…”

Six semi-finalists were chosen by a panel of experts from The Center for Beadwork & Jewelry Arts from 12 wonderful entries.   Images and stories will be displayed online around November 7th on the Land of Odds website (www.landofodds.com ).   Visitors will be asked to vote and evaluate each doll, to help select the Winner and Runner-up.   The winner receives a $1,000 shopping spree on the website; the Runner-up receives a $400 shopping spree).

 These semi-finalists are,

Kathy Ford
Deep Gap, North Carolina
“Jolyma”

adu2009ford

“As a child you spoke to me from mud as I sat at the far end of the garden patting earthen cakes between my palms.   And how luminous that mud like the color of your skin could be.   Chocolate, gold and olive green the fertile soil in which you breathe.  Life survives and thrives in your rich ground….

…In this guise she embodies life as celebration.  My life as celebration.”

 

Vera Fox-Bond
LaVergne, Tennessee
“Ta Dah”

adu2009fox

“I shall tell my story through TA DAH or TA for short.  TA had been to the beauty shop for a new perm and the latest gossip.  Her curls turned out to be a bit much and she stepped on bubble gum on her way to the car.  What a day!   Upon arriving home, TA looked in the bathroom mirror at her new do and the mirror changed her life and mine forever….

…Don’t discard the older things of this world as they contain their own kind of beauty, wisdom and peacefulness….”

 

Cathy Helmers
Dayton, Ohio
“Aikatrine”

adu2009helmers

“You embody changes I want to make, so I aptly name you Aikaterine, meaning each of the two….

Life-giver, life-taker.
powerful, fragile
serene, chaotic
forgiving, harsh
Compassionate, rageful

…But Aikatrine has no time for self-reflection.
She is busy with self-regeneration.”

 

Ralonda Patterson
Decatur, Texas
“Willow”

adu2009patterson

 

You were not always as you appear this day.  You were fearful and lonely.   You turned to learning for a safe haven, a place for you to be acknowledged in a positive light.  Then sprang the hunger to be taught, a desire that was placed within the seed from which you sprang.   Your roots began to thrive in the fertile soil that had been plowed by your ancestors’ faith.   They grew deeper and had tapped into the eternal spring of the Spirit and from it came an understanding….

Now with such poise, you stand in the garden while showers of blessing rain down.  You are forgiven and redeemed, a most beloved creation of the Heavenly Father.   He gives you rest from your enemies and an eternity in the most beautiful garden of all.”

 

Dot Lewallen
Westerville, Ohio
“Rachel’s Dream”

adu2009lewallen

 

I close my eyes and am transported to a dream world.  My fingers tingle with a sound permeating the forest as my ears hear the sharp crackling of the pine leaves I step upon.   My nose is being teased with a plethora of smells dancing and embracing with a promise of more if I would follow deeper into the woods….Mother Earth takes time to heal one small flower…

Then I am awake lying in my own bed….I touch the place where the dream woman had kissed me, and can still feel the moisture from her breath.  I know this woman.  I’ve seen her before….The woman was Rachel Carson the author of Silent Sprint, and I had followed her into her dream….

We should all take the mirror we see ourselves in, wipe away the fog, and view our beautiful World with a childlike thrill….”

 

Joan M. Cromley
Sedro Woolley, Washington
“Yamka Wuti Kachina (Flowering Woman Spirit)”

adu2009cromley

 

“As I sit here and prepare you for your future, you represent not just me, but also my mother, my daughter, all the women of the past, present and future….As the sacred Bead Keeper for the women of our village, my job is to perform the ceremonies and rituals in creating our precious beaded treasures. …

Just as my mother made my kachina for my puberty rite, so I am making you for my daughter.  When she comes of age and goes through the Beadway Blessing, you will remind her of all the things she has within her, and all the things she can call on as a woman….”

 

About Beaded Art Dolls

A Beaded Art Doll is a physical representation in three dimensions, using human figural and expressive characteristics, through the creative use and manipulation of beads. Beads are a unique art medium, allowing multidimensional surface treatment, and phenomenal opportunities for interplay among colors, light, shadow, texture and pattern.   Beaded Art Dolls submitted as entries for this Competition should be immediately recognizable as a “Doll” as defined above.

That said, Beaded Art Dolls submitted as entries for this competition may be realistic, surrealistic, whimsical or imaginary. They may be humanistic, animalistic, caricatures, cartoons, impressions or abstractions. The doll may take many forms, including a figure, purse, box, vessel, puppet, marionette, or pop-up figure.

Beaded Art Dolls should be between 8” and 36” in size. The surface area of the doll must be at least 80% composed of beads.

The doll’s internal form and structure may result from many techniques, materials and strategies. The bead stitches themselves might be used to create the skeletal structure. Various forms of cloth dolls might be stitched or embellished with beads. The underlying structure might be made of polymer clay, wood, ceramic, porcelain, Styrofoam, wire, corn husk, basket weaving, yarns, cardboard, paper, cotton, or some combination of materials. It might be a found form or object.

The Artist is given wide leeway in techniques for how the doll is to be beaded, and may use one particular technique or several. Techniques, for example, may include bead weaving stitches, bead embellishment, bead appliqué, bead knitting, bead crochet, bead embroidery, lampworking. For the 80% of the surface area that must be beaded, these would NOT include the application of rhinestones, sequins, nailheads or studs. The beads may be of any size, shape, color and material.

The Artist may include a doll stand or display support with the Art Doll, though this is not a requirement. This stand or support may be an off-the-shelf piece, or created from scratch by the Artist. It may be a base, a created setting, a decorative box, or frame. The stand or display support need not be beaded.

The Artist may interpret and apply the theme any way she or he chooses. The Beaded Art Doll might be thought of as a plaything; or as a visual representation of a person, feeling, spirit or thing; or as a tool for teaching; or as a method for stimulating emotional development or healing.

As an object of art, the goal of the Doll should be to make a statement, evoking an emotional, cultural or social response, either by the Artist her/himself or by others.

The Doll must be an original work, and may be the work of one Artist or a Collaboration.

Dolls have been a part of human existence for many thousands of years. Whether part of a ritual or part of child’s play, dolls function as symbols for meaning. Sometimes these meanings are broad social and cultural references; other times, these meanings focus on an individual’s relationship with oneself.

ALL DOLLED UP: BEADED ART DOLL COMPETITION is more than a beauty pageant. It is a design competition. The Competition will take into account the Artist’s intentions and how well these are incorporated into the design.

 

ALL DOLLED UP: Beaded Art Doll Competition
www.landofodds.com/store/alldolledup.htm

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New Beading Competition Announced

Posted by learntobead on September 3, 2009

The Illustrative Beader:
Beaded Tapestry Competition
Deadline 8/31/2011
Download Official Rules

by Land of Odds, Be Dazzled Beads, The Open Window Gallery, and The Center for Beadwork & Jewelry Arts

CALL FOR ENTRIES
The Illustrative Beader:
Beaded Tapestry Competition
Create a Beaded Tapestry by manipulating beads, cloth and fibers into an imaginative detailed, tactile and visual representation of this year’s theme:Mystery Genre Book Covers .

tapbk2

And then write a short Artist Statement (between 1000-2000 words) about the general story-line of the book which the cover represents, how you made choices about what things to include on your cover, the materials and techniques you used in creating your book cover tapestry, and your strategies for adding a sense of dimensionality to the book cover tapestry.

tapbk3

The First Bi-Annual 2011 THE ILLUSTRATIVE BEADER: BEADED TAPESTRY COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.

 

 tapbk4

Here we use the concept of “Tapestry” in its broadest sense as a stitched, sewn and/or woven wall hanging. Your tapestry may be woven, loomed, stitched, quilted, cross-stitched, crocheted, knitted, sewn, braided, knotted, embroidered, macramed, beaded and the like. Your tapestry will combine fibers/threads/and/or cloth and beads in some way, and must consist of at least 70% beads. Beads may form the background canvas of your piece, and/or may be used to embellish your canvas, and/or as fringe, and/or as stitchery covering parts of your piece. Your piece should be mounted or framed in some way, ready for hanging on a wall. Your tapestry may utilize many different techniques. In addition, as a “Mystery Genre Book Cover”, your Beaded Tapestry should woo and entice the viewer to want open that cover and read the book!

 

 tapbk5

 

Entries will be judged by a panel from The Center for Beadwork & Jewelry Arts. These distinguished Beadwork and Jewelry Artist instructors will judge each beaded tapestry based on

 
1. INSIGHT: The Artist’s inner awareness and powers of self-expression through needle arts and stitchery, fiber arts and beadwork, particularly in terms of how well this year’s Competition theme is incorporated into the piece.
2. TECHNIQUE(S):
a. The range of techniques employed within the piece, and how these are combined and executed.
b. The degree the Artist is successfully able to incorporate 3-Dimensional elements and give depth to the finished piece — layering, embellishment, embroidery, movement, optical effects, color tricks, shapes, textures, patterns, and other structures
c. The strategic and parisomonious placement of visual elements throughout the piece
d. The details — how creatively, strategically, and to what extent story details are presented within the Tapestry
3. USE OF BEADS/BEADING AS ARTISTIC MEDIUM: To what extent the Beaded Tapestry may be viewed as a work of “art”, rather than “craft”; has the Artist fully utilized the power of the “bead” as a medium for art — an expression of color, light, shadow, tactile sense and emotion
4. VISUAL APPEAL: The overall visual appeal of the Beaded Tapestry, and how well it tells a story and seems to grab the Viewer’s attention and motivate the Viewer to want to, in this year’s case, read the book.
5. QUALITY OF WRITTEN ARTIST STATEMENT: How well the Artist’s write-up enhances an appreciation of the Beaded Tapestry, how it captures the theme, as well as the Artist’s talents in design, insight and implementation.

 

 tapbk6

 

REQUIREMENTS

A. Length and Width: The Beaded Tapestry may be oriented vertically or horizontally. One dimensional leg should be shorter than the other, but no shorter than 8″. The other dimensional leg should be longer than the other, but no longer than 25″. The relative lengths of the shorter and longer dimensions should approximate The Golden Ratio where the longer side is 1.60 times the length of the shorter side (L=1.6*S). Thus, the smallest possible piece would be approximately 8″x13″, and the largest possible piece would be approximately 16″x25″.

B. Backing and Framing: The Beaded Tapestry should be afixed to a secure backing, from which to attach a hanging mechanism, and which is secure enough to support the Tapestry, as it hangs on a wall. This can be as simple as using a piece of foam core or wood panel, or can be more elaborate. The piece may be supported with a frame, and a paper or cloth backing. Any backing/framing/matting will not be counted in the measurement rules and limitations. Thus, if the Beaded Tapestry were 16″x25″, and a frame and matte resulted in a finished piece that was 20″x29″, that would be OK. If the Tapestry is meant to hang like a curtain on a rod, using backing would be optional, depending on whether the backing will help or hinder your piece.

C. Hanging Mechanism: The Beaded Tapestry should have all the mechanical attachments affixed to the backing/frame that allow it to be hung. This might be picture wire strung across the back, or a picture hook, or a dowel that slides through the piece at the top like a curtain.

D. The Tapestry Canvas: The Beaded Tapestry will work off a canvas of some sort. What this canvas is and how it is created, would be up to the Artist. The canvas might be loomed (or stitched in some way) with threads, other fibers, cloth, or beads, or might be a stretched cloth, or might be some kind of surface (or webbing, netting or string-curtain) off of which to work your Tapestry, like bead embroidery off of ultra-suede.

E. The “Cartoon”: The cartoon is the designed image/sketch for your piece. This image should be original, and not have been submitted to any other contests or competitions. The judges are especially interested in how you transfer your cartoon to your tapestry, how you incorporate details, and how you bring dimensionality to your piece. The cartoon, thus final Tapestry as well, must include the Title of your chosen book.

F. The Use of Beads and Fibers: Beads must comprise at least 70% of the the surface of your Beaded Tapestry. A bead is an object with a hole in it. It may be applied to the Tapestry with stitching or sewing. It may be glued. It may be wired. It may be encapsulated. Your final Tapestry may be done with 100% beads, or with a mix of beads and fibers. The judges are especially interested in seeing a mix of techniques within your piece.

G. Relating Your Tapestry To This Year’s Competition Theme – Mystery Genre Book Covers

 

1. Based on a real book: Your Book Cover must relate to a real, published book.
2. Interpretation of Cover Design must be your own. While it’s logical that you might use elements from an existing cover, it must NOT be a copy of the book’s existing cover.
3. The Title of the Book must be incorporated into your Tapestry design
4. Your Artist statement should reference the book’s title, author, publishing company, and date of publication.
5. “Mystery Genre” refers to fictional and non-fictional books which deal with the solving of a crime.

 
H. The Artist’s Statement: Write a short Artist Statement (between 1000-2000 words), covering the following topics:

 

1. List the Title of your book, the author, the publishing company, and date of publication.
2. A synopsis of the general story-line of your book. Tell us the story progression. Highlight key characters including the hero or heroine, the victim, clues, mysteries, double-entendres, the murder weapon, the solution/resolution and the like.
3. Why did you choose this book?
4. How did the story-line influence you in your book cover design choices? What details did you decide to highlight on the tapestry? What details in the story line did you decide Not to highlight on the tapestry?
5. What materials did you use to create your book cover tapestry, backing and framing, hanging mechanism, canvas?
6. How did you transfer your Cartoon sketch to your finished Tapestry?
7 . What techniques did you use in creating your book cover tapestry
8 . What were your strategies for creating the Title on the tapestry — fonts, sizes, materials, placement/positioning?
9 . What were your strategies for adding a sense of dimensionality to your book cover tapestry?

tapbk7 
I. Your Book Cover Tapestry may be done either as an individual or as a collaboration. If a collaboration, please list all the “collaborators” with your submission. Identify one person of the group to be the lead and contact person.

 

 

We Need Submissions!

A Tapestry is a form of textile art, traditionally woven on a vertical loom, and composed of two sets of interlaced threads. Threads running parallel to the piece create the tension. Threads running back and across along the width create the pattern or image. It is these threads which show in the traditional tapestry. Tapestries were very portable. They could also be draped on the walls of castles for insulation during winter. They could be hung as decorative interior elements and displays of wealth. The “Cartoon” — that is, the design image — ranged from the purely decorative to tales of heroicism, mysticism, or religiosity. Often, to make these loomed pieces feel more 3-dimensional, they were embellished with beads, pieces of glass, and pieces of mirrored glass, which would create fascinating interplays with light. The beads might be used to create border fringes, or might be sewn into or embroidered onto the tapestries themselves.

In our The Illustrative Beader: Beaded Tapestry Competition, we define the idea of a “Tapestry” very broadly, to include any stitched, sewn and/or woven wall hanging which combines some kind of fiber and beads. Fiber might consist only of the threads used to stitch the beads, or it might include quilted materials, yarn, cord, of anything that might broadly be called Fiber. The Tapestry might be loomed with fibers and embellished with beads. It might be loomed with all beads. The Tapestry does not necessarily have to be loomed in the traditional sense. It might also be knitted and embellished with beads, or quilted or cross-stitched or crocheted or braided and somehow combined with beads. The Tapestry canvas might begin with stretched, appliqued, or quilted cloth. The surface area of the finished Tapestry must be 70% made from beads.

 

 

THE ILLUSTRATIVE BEADER: BEADED TAPESTRY COMPETITION: is more than a beauty pageant. It is a design competition. The Competition will take into account the Artist’s intentions and how well these are incorporated into the theme, the design, the materials, the use of techniques, the use of details and elements which create dimensionality.

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All Dolled Up: Beaded Art Doll Competition

Posted by learntobead on August 6, 2009

All Dolled Up: Beaded Art Doll Competition
www.landofodds.com/store/alldolledup.htm

St. Fedupia by Kathleen Lynam

St. Fedupia by Kathleen Lynam

Every other year, Land of Odds and The Center for Beadwork & Jewelry Arts sponsors a beaded art doll competition.    This year’s deadline is August 31, 2009.

The theme is Earthen Mother.    Each artist submits images of their doll.   And each artist has to write a short story about their doll, starting with this sentence:

“The mirror reflects more than my hands can feel.
Lines, edges, shadings, a weariness under the eyes, an awkward stance.
Yet, not reflected is a certain vibrancy —
a compassion and wisdom and wonder so many people rely on.
Only you, my beaded art doll,
capture the fullness of me as I age in place .
You embody changes I want to make, so I aptly name you…”


Here our images of our first three submissions:

by Dawn Ott

by Dawn Ott

by Bonnie Prebula

by Bonnie Prebula

by Gabriella DeLawey

by Gabriella DeLawey

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Winner and Runner Up Announced

Posted by learntobead on July 16, 2009

2009 7th Annual The Ugly Necklace Contest
Winner and Runner-Up Announced

And the Winner is…..

Land of Odds, Be Dazzled Beads, The Open Window Gallery, and The Center for Beadwork & Jewelry Arts are proud to announce the Winner and Runner-Up in this year’s The Ugly Necklace Contest!    These two contestants have succeeded in creating necklaces which were hideous, using clever materials, fashioning a creative clasp assembly, and showing a strong degree of artistic control in their jewelry-making endeavors.   Doing something “Ugly” is easier said, than done!

The Winner of The Ugly Necklace Contest – the Jewelry Designer who demonstrated exceptional jewelry design skills by creating The Ugliest Necklace in the America and the rest of the World in the year 2009, and the winner of a $992.93 shopping spree on the Land of Odds web-site (www.landofodds.com), is:

Lynn Margaret Davy of Wimborne, Dorset, United Kingdom
“The Story Of My Beading Life”

ugly7davyfullsize

MORE DETAILS, Images and her Poem:
www.landofodds.com/store/ugly7davy.htm

 

 

 

 

The Runner-Up in The Ugly Necklace Contest — the Jewelry Designer who also displayed obvious design talents by creating the 2nd Ugliest Necklace in America and the rest of the World in the year 2009, and the winner of a $399.07 shopping spree on the Land of Odds web-site (www.landofodds.com) is:

 

Juli Brown of Wells, Minnesota
“Coffin Nails Necklace”

ugly7brownfullsize

MORE DETAILS, Images and her Poem:
www.landofodds.com/store/ugly7brown.htm

—– 

These beadwork and jewelry artists have demonstrated their commendable design skills. They have been judged, from among  entrants from across America, Great Britain, and Canada by a distinguished panel of four judges from The Center for Beadwork & Jewelry Arts in Nashville, Tennessee, and voted on by visitors to the Land of Odds web-site.

 

To view additional images of the necklaces submitted by the winner, runner up and the other semi-finalists of the 7th Annual 2009 The Ugly Necklace Contest, please visit us at www.landofodds.com/store/ugly7contest.htm on-line.

 

The Ugly Necklace review criteria are discussed on this web-page:
www.landofodds.com/store/ugliestcriteria.htm

 

Entries for the  Eighth Annual 2010 The Ugly Necklace Contest will be accepted between September 1st, 2009 and March 15th, 2010.   For official rules, and 2010 special requirements, please visit our web-site at www.landofodds.com/store/uglynecklace.htm .

 

And if you are in the Nashville area, please stop by Be Dazzled Beads, where the 6 selected Ugly Necklaces are on display through September 15th.

 

The Ugly Necklace Contest is one of the programs of The Center for Beadwork & Jewelry Arts in Nashville, Tennessee, to encourage beadwork and jewelry makers to test their design skills, push the envelope, and learn some fundamentals about jewelry design in the process.   

LIST OF 2009 7th Annual SEMI-FINALISTS:
1.         Lynn Margaret Davy, Wimborne, Dorset, United Kingdom

2.         Juli Brown, Wells, Minnesota

3.         Sarah Allison, Gresham, Oregon
4.         Jolynn Casto, Logan, Ohio
5.         Deborah Eve Rubin, Rockville, Maryland
6.         Lori-Ann Scott, Spokane, Washington

 

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GO VOTE – 2009 7th Annual The Ugly Necklace Contest

Posted by learntobead on May 27, 2009

PRESS RELEASE –5/27/09
TOPIC:  THE UGLY NECKLACE CONTEST 2009
uglynecklace header

Semi-Finalists Announced – Voting Begins!
7th Annual 2009 The Ugly Necklace Contest
– A Jewelry Design Competition With A Twist
May 27, 2009 thru July 15, 2009

 

 VOTE HERE

Six Jewelry Artists from around the world have been selected as Semi-Finalists of The 7th Annual 2009 The Ugly Necklace Contest – A Jewelry Design Competition With A Twist, by a panel of four judges from The Center for Beadwork & Jewelry Arts and Land of Odds. Voting begins On-Line on May 27th, thru July 15th for the Winner and Runner Up Grand Prize: $992.93 shopping spree on Land of Odds web-site (www.landofodds.com ) Runner Up Prize: $399.07 shopping spree on Land of Odds web-site.

 

 

OUR SIX SEMI-FINALISTS

 


Lori-Ann Scott
Spokane, Washington
“Sweet”

Deborah Eve Rubin
Rockville, Maryland
“Ode To An Ugly Necklace”

Jolynn Casto
Logan, Ohio
“Four Season’s Necklace”

Sarah Allison
Gresham, Oregon
“Walk In My Garden”

Juli Brown
Wells, Minnesota
“Coffin Nail Necklace”

Lynn Margaret Davy
Wimborne, Dorset, United Kingdom
“The Story of My Beading Life”

 

 

LAND OF ODDS
Attention: Warren Feld
www.landofodds.com
718 Thompson Lane, Ste 123, Nashville, TN 37204
Phone: 615-292-0610; Fax: 615-460-7001
Email: warren@landofodds.com

Synopsis:

It’s not easy to do Ugly!

So the many jewelry designers from across America and around the Globe who entered our 7th Annual 2009 The Ugly Necklace Contest, found this contest especially challenging. After all, your brain is pre-wired to avoid and reject things which are ugly. Think of snakes and spiders. And even if you start your necklace with a bunch of ugly pieces, once you organize them into a circle, the very nature of an ordered round form makes it difficult to achieve Ugly. Yes, “Ugly” is easier said than done.

Who will win? We need the public’s help to influence our panel of judges.

Does our Minnesota entry make even lung cancer look pretty? Or does our entry from Ohio give the four seasons a bad name? Surely, our Oregon entry didn’t mean to step on and crush all the flowers in her garden. Nor did our entry from Washington intentionally put down anyone with a sweet tooth or an obsessed passion for the fork. From Maryland comes this perplexing challenge: can Trash be Ugly? We would assume so, until we try to make a necklace from it. And from England, another kind of trash – bead project trash – comes to signify what ugly things happen when you don’t finish what you started.

Our respected judges evaluated these creatively-designed pieces in terms of hideousness, use of materials and clasp, the number of jewelry design principles violated, and the designer’s artistic control. Extra points were awarded for artists’ use of smaller beads, because it’s much more difficult to do Ugly with these.
Now it’s time for America and the World to help finalize the decision about which of these 6 semi-finalists’ Ugly Necklaces to vote for. The winner will truly be an exceptional jewelry designer. The losers….well….this isn’t a contest where you really can “lose”.

Come see these and the other semi-finalists’ pieces at www.landofodds.com, and vote your choice for the Ugliest Necklace, 2009.
And if you are in the Nashville, Tennessee area, please stop by The Open Windows Gallery (fine art jewelry) at Be Dazzled Beads, where the 6 semi-finalists’ Ugly Necklaces are on display through September 15, 2009.

 

ABOUT UGLY NECKLACES

The UGLY NECKLACE CONTEST (www.landofodds.com/store/uglynecklace.htm) is a jewelry design contest with a twist. The contest presents a challenge not often tackled — at least intentionally. The contest draws the jewelry designer into an alternative universe where beautiful artists create ugly necklaces. It’s not easy to do.

“Ugly” is more involved than simple surface treatment. It is not just laying out a bunch of ugly parts into a circle. It turns out that “Ugly” is something more than that. “Ugly” is the result of the interplay among Designer, Wearer, and Viewer. “Ugly” is very much a result of how a necklace is designed and constructed. “Ugly” is something the viewer actively tries to avoid and move away from. “Ugly” has deep-rooted psychological, cognitive, perceptual, sociological and anthropological functions and purposes.

As research into color and design has shown, your eye and brain compensate for imbalances in color or in the positioning of pieces and objects – they try to correct and harmonize them. They try to neutralize anything out of place or not quite right. You are pre-wired to subconsciously avoid anything that is disorienting, disturbing or distracting. Your mind and eye won’t let you go here. This is considered part of the fear response, where your brain actively attempts to avoid things like snakes and spiders…. and ugly necklaces.

This means that jewelry designers, if they are to create beautiful, wearable art, have to be more deeply involved with their pieces beyond “surface”. Or their pieces will be less successful, thus less beautiful, thus more disturbing or distracting or disorienting, thus more Ugly.

Luckily, for the jewelry designer, we are pre-wired to avoid these negative things. This makes it easier to end up with pieces that look good. Beauty, in some sense, then, is very intuitive. On the other hand, it makes it more difficult to end up with pieces that look bad. You see, Ugly goes against our nature. It’s hard to do.

The Ugly Necklace Contest is one of the many programs at The Center for Beadwork & Jewelry Arts in Nashville, Tennessee, that encourage beadwork and jewelry makers to test their design skills, have fun, and learn some fundamentals about jewelry design in the process.

Call for Entries – 8th Annual 2010 The Ugly Necklace Contest
A Jewelry Design Competition With A Twist

Read the Contest Rules at www.landofodds.com/store/uglynecklace.htm . Entries accepted between 9/15/09 and 3/15/10.
To add your name to our email list associated with The Ugly Necklace Contest, send an email to: oddsian@landofodds.com
and Write “Ugly Necklace Email List” in the subject line.


Sponsors:
Land of Odds www.landofodds.com,
Phone: 615-292-0610; Email :warren@landofodds.com
Land of Odds provides bead and jewelry making artists with virtually all their beads, supplies, books and jewelry findings needs, with over 30,000 products. Retail/Discounts/Wholesale.

Be Dazzled Beads www.bedazzledbeads.com
Center for Beadwork & Jewelry Arts www.landofodds.com/beadschool
Open Windows Gallery – Fine Art Jewelry www.landofodds.com/store/openwindowgallery.htm
Learn To Bead…At Land of Odds Blog blog.landofodds.com

Other Programs at Land of Odds:
ALL DOLLED UP: Beaded Art Doll Competition
www.landofodds.com/store/alldolledup.htm

Jewelry Design Workshops in Cortona, Italy, with Toscana Americana
www.landofodds.com/store/toscananarrativesynopsis.htm

 


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2009 The Ugly Necklace Contest SemiFinalists

Posted by learntobead on April 7, 2009

2009 The Ugly Necklace Contest SemiFinalists
have been announced

The Ugly Necklace Contest

In early May, images of their necklaces will be posted online at Land of Odds.   Along with these images, each contestant also had to submit a list of materials and write a poem.    These too will be posted.   Voting will begin at the end of May.  Stay tuned for announcements.

 

The 6 SemiFinalists Are:

 

Lynn Margaret Davy
Dorset, England
The Story of My Beading Life…

ugly7davywear

 

Jolynn Casto
Logan, Ohio
Four Seasons Necklace

ugly7castowear

Sarah Allison
Gresham, Oregon
Walk In My Garden

ugly7allisonwear1

Lori-Ann Scott
Spokane, Washington
Sweet

ugly7scottwear

Juli Brown
Wells, Minnesota
Coffin Nail Necklace!

ugly7brownwear

Deborah Eve Rubin
Rockville, Maryland
Ode To An Ugly Necklace

ugly7rubinwear

 

 

Entries for the 8th Annual The Ugly Necklace Contest 2010- A Jewelry Design Competition With A Twist – will be accepted beginning September 1, 2009.  Deadline: March 15th, 2010.

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First Submission – 2009 The Ugly Necklace Contest

Posted by learntobead on February 22, 2009

This is the first submission received for Land of Odds’s 2009 The Ugly Necklace Contest. Deadline is 3/15/09. On-line voting will begin at the end of May 2009.

The Ugly Necklace Contest Rules
This necklace was created by Jolynn Casto from Logan, Ohio.
uglynecklace2009

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4th Place, Swarovski 2008 Contest

Posted by learntobead on February 21, 2009

I won 4th place in Swarovksi’s 2008 annual Create-Your-Own-Style contest with this piece. The theme was Naturally Inspired. There were 1200 entries. I named my piece, “Canyon Sunrise.” — Warren

gswarovskifull1

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