Warren Feld Jewelry

TO WHAT DEGREE DOES/SHOULD “FASHION” INFLUENCE OUR JEWELRY DESIGN DECISIONS?

reposted from my Jewelry Design Discussion Group on FaceBook
https://www.facebook.com/groups/jewelrydesign/

In our store, I am asked repeatedly about what the current fashion colors are? Did I see what so-and-so was wearing on TV or at an awards show? But usually, at least in Nashville, TN, a sense of fashion plays a small part in the day-to-day decisions most people make about the jewelry they want to wear.

What are your feelings and views? What are your experiences? What role should “Fashion” play? How important is Fashion to jewelry design? Should we take our design “cues” from New York and Los Angeles? To what extent do you think Fashion influences the average woman’s choices she makes, when purchasing or wearing a piece of jewelry?

Warren Feld

From an article I wrote… APPLIED FASHION Women don’t just wear pieces of jewelry – they inhabit them.

Buying a piece of jewelry for yourself – a necklace, a bracelet, earrings, a brooch, something else – isn’t a task easily given to someone else. It’s often not a spur of the moment thing either. You just don’t rush off to the local boutique or the local Wal-Mart, grab whatever you see, and go home. I’m not talking about that impulse buy during your leisurely visit to the mall. I’m referring to purchasing those pieces of jewelry you know will have to do a lot of the hard work to accessorize your wardrobe and help you get the compliments and notice of your family, friends and   co-workers you comport with and compete with each and every day.

No, buying a piece of jewelry for yourself is a multi-purposed moment, one which must be thought through carefully and one which must be savored. Lest you buy the wrong piece. That doesn’t really go with what you intend to wear. Or is over-priced. Or poorly made. Or conveys the wrong impression about status. Or is out of fashion. Or something one of your friends already has.

The jewelry you buy has to conform to quite a long list of essential criteria before you could ever think of buying it. It is something you will wear more than once. As such, it is your companion. Your necklace is not merely lying around your neck. Or your bracelet around your wrist. Or your earrings dangling from your ears. Jewelry can cause you to lose face with others. It can irritate or scratch your skin, or get caught up in your hair. It might weigh you down or stretch or tear your ear lobes. Jewelry can break without warning in the most unexpected and embarrassing of places. It can get caught on things, sometimes hurting you in the process.

Jewelry conveys to the world something about who you really are, or think you are. As such, jewelry is very personal. Your private, innermost, most soul searching choices made very public for all to see. As you caress it, as you touch the smooth or faceted or crevice’d beads and metal parts or the clasp or the material the beads are strung on, when you twist and move the piece within your hand, you are confirming to yourself the extent to which your jewelry is doing its job.

When you buy new jewelry, the dilemmas multiply. How will the new compare to the old? Will it be able to handle all these responsibilities – looking good, representing you, fitting in with your wardrobe, meeting the expectations of others? Like divorcing, then remarrying, changing your jewelry can take some time for readjustment. And you do not want to be seen as noncommittal to your jewelry. This would sort of be like going to a hotel, but not unpacking your suitcase while staying in the room.

Conveying some sort of social or psychological distance from your jewelry can be very unsettling for others. So you need to inhabit it. You need to inhabit your jewelry, wear it with conviction, pride and satisfaction. Be one with it. Inhabiting jewelry often comes with a price. There becomes so much pressure to buy the “right” pieces, given all the roles we demand our jewelry to play, that we too often stick with the same brands, the same colors, the same styles, the same silhouettes.

We get stuck in this rut and are afraid to step out of it. Or we wear too many pieces of jewelry. The long earrings, plus the cuff bracelets on both arms, plus the head band, plus the hair ornament, plus the 7-strand necklace, plus the 5 rings. We are ever uncertain which piece or pieces will succeed at what, so hopefully, at least some combination or subset of what we wear will work out.

In a similar way, we wear over-embellished pieces – lots of charms, lots of dangles, lots of fringe, lots of strands. Something will surely be the right color, the right fit and proportion, the right fashion, the right power statement, the right reflection of me.

And our need to inhabit our jewelry comes with one more price. We are too willing to overpay for poorly made pieces in our desperation to have that right look. The $100.00 of beads strung on elastic string. The poorly dyed stones which fade in the light. The poorly crimped and overly stiff pieces with little ease for accommodating movement and frequent wear. It is OK to inhabit our jewelry. In fact, it is necessary, given all we want jewelry to do for us. But we need to be smart about it. We need to learn to recognize better designs and better designers.

This need not be expensive at all.

Just smarter.