Learn To Bead

At Land of Odds / Be Dazzled Beads – Beads, Jewelry Findings, and More

Archive for July 13th, 2013

TUXEDO PARK BANGLE BRACELET

Posted by learntobead on July 13, 2013

TUXEDO PARK BANGLE BRACELET
New Video Tutorial at CraftArtEdu.com

Purchase kits at:
Land Of Odds online

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IN THIS CLASS, LEARN HOW MUCH SHAPING, INTEREST, AND DIMENSIONALITY YOU CAN ACHIEVE WITH THE SIMPLE, BASIC BRICK STITCH. BY CREATING MY TUXEDO PARK BANGLE BRACELET.    THE BRICK STITCH IS EASY TO LEARN.  FUN TO DO.  AND OFFERS MANY DESIGN POSSIBILITIES FOR THE BEAD WEAVING ARTIST.

 

BRICK STITCH IS OFTEN OVER-SHADOWED BY ITS VERY CLOSE, BUT MORE POPULAR COUSIN – THE PEYOTE STITCH.  I OFTEN THINK THAT ONE OF THE REASONS FOR THIS, IS THAT INTRODUCTORY BRICK STITCH PROJECTS LACK SOME OF THAT “WOW” FACTOR.  THE BASIC BRICK STITCH TYPICALLY IS TAUGHT BY HAVING THE STUDENT MAKE A SIMPLE PYRAMID, PERHAPS SOME LONG DANGLING FRINGE IS WORKED OFF THE BASE OF THE PYRAMID TO MAKE NATIVE AMERICAN EARRINGS. OR, PERHAPS LINKING SEVERAL PYRAMIDS TOGETHER TO MAKE A BRACELET. WHEN THE INTRODUCTORY PROJECT IS “BORING”, STUDENTS LOSE INTEREST IN THE STITCH.

 

HOWEVER, TOO OFTEN IGNORED IN THESE INTRODUCTORY BRICK STITCH PROJECTS ARE THE POWERFUL, STRUCTURAL PROPERTIES OF THE STITCH ITSELF.
THE STITCH IS VERY VERSATILE.

THE BRICK STITCH CAN BE USED TO CREATE A BROAD CANVAS, AND GIVE THIS CANVAS A GREAT DEAL OF FLEXIBILITY, WHERE MANY STITCHES WOULD LEAVE IT TOO STIFF.

AT THE SAME TIME, THE BRICK STITCH CAN ALLOW THE CANVAS  TO HOLD AND MAINTAIN ITS SHAPE, WHERE MANY OTHER STITCHES MIGHT GET FLOPPY AND TOO LOOSE.

BRICK STITCH CAN ALSO EASILY GIVE THIS CANVAS VERY VARIED SHAPES, EDGES AND OPEN SPACES, AND ALLOW A GREAT DEAL OF CONTROL OF THREAD PATH AND BEAD PLACEMENT WHERE OTHER STITCHES COULD NOT.

THE TUXEDO PARK BANGLE BRACELET IS AN INTRODUCTORY PROJECT THAT INTRODUCES THE STITCH AND SEVERAL VARIATIONS TO PEAK YOUR INTEREST.
AND TURN YOU INTO A BRICK STITCH FAN.

 

THIS VIDEO TUTORIAL IS PRESENTED FROM WHAT IS CALLED THE DESIGN PERSPECTIVE. THE DESIGN PERSPECTIVE FOCUSES ON HOW THE JEWELRY DESIGNER AND BEAD WORKER MAKE CHOICES

ABOUT WHAT TO DO, AND NOT TO DO,

ABOUT WHAT TO INCLUDE, AND NOT INCLUDE,

AND ABOUT HOW TO BALANCE OFF CONFLICTING DEMANDS

BETWEEN BEAUTY AND FUNCTIONALITY.

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IN THIS VIDEO TUTORIAL, I FIRST GUIDE YOU THROUGH THE PROJECT PLANNING PROCESS. THAT IS, I DISCUSS THE TYPES OF CHOICES I MADE, WHEN CREATING THIS PIECE. THESE CHOICES INCLUDE THINGS ABOUT TECHNIQUE. THEY INCLUDE THINGS ABOUT COLOR AND MATERIALS. THEY INCLUDE THINGS ABOUT FORM, STRUCTURE AND FUNCTION.

THEN, I GO OVER, IN DETAIL, STEP-BY-STEP, EASY-TO-FOLLOW INSTRUCTIONS FOR COMPLETING THE PROJECT.

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HOW DO YOU STAY FOCUSED?

Posted by learntobead on July 13, 2013

 

HOW DO YOU STAY FOCUSED?

It is easy to get distracted.   Dagmar sent me an email with a link to a picture of a bead woven piece she liked.    At first, I reacted with some resistance, to click the link.   I needed to finish up several projects, and didn’t want to cloud my thinking, or add one more image or one more pattern I liked, or color I liked, or technique I liked, to that mix of ideas and tasks and things swirling around and around in my head.

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But, you guessed it, I clicked.   The piece was beautiful, intriguing, and l discovered many more of this artist’s work on display online.    I spent time with each piece.   I read the artist’s statement because I wanted to learn more about her inspiration.    She had many embedded links in her statement.  Which led me to many other websites.   One concept was discussed, and I did a Google search on that.     And then an images.google.com search on it as well.    Which somehow got me over to Amazon, then Wikipedia, and over to some other bead artist’s website.

 

Three hours later – how does time pass away so quickly?    A simple click three hours earlier had led me through the looking glass and down the rabbit hole, through, what must have looked like to others, some torturous pathways, meeting all kinds of strangers.

I am always working on several projects at a time.     So in my head, are several sets of instructions, several color palettes, several understandings of inspiration.    And I want to keep some focus.   And I want to finish all of these projects.    And I want to be able to conceptualize and invent my next projects, which involves lots of trial and error experimentation.    I want to have the time and clear head space for all this.

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And yet, there are so many easily accessible distractions.

I know I’m not alone, so the question I put forward to you:

How do you stay focused?

 

And perhaps, I should phrase the question differently:   Can you stay focused?

Or, in the face of so many great examples of jewelry and bead art, so many evolving changes in styles and fashions, the introduction of many new colors and new bead shapes and new techniques – in the face of so much wonderfully inspiring, so many things to learn and educate yourself about – how do you keep in touch with your inner designer self, and find the time and energy for self-expression?

 

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