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At Land of Odds / Be Dazzled Beads – Beads, Jewelry Findings, and More

Posts Tagged ‘jennifer trask’

Three Artists at SOFA NY April 2011

Posted by learntobead on April 13, 2011

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Three Jewelry Artists at SOFA NY
http://www.ornamentumgallery.com/gallery/index.php
http://www.sofaexpo.com/

SOFA stands for Sculpture Objects and Functional Art.     Their exhibits at various locales in the US and throughout the year, showcase outstanding contemporary “sculptural” objects, including jewelry.     I always like to check in on the artists they elect to showcase.   There is so much you can learn from each artist’s ideas and approaches.

Their current NY exhibition runs through 5/1/2011.

Jennifer Trask
http://www.jennifertrask.com/Site/Home.html

From her artist statement:

What do we carry with us in our bones? Literally, and metaphorically?

Used to express definitive physical sensation and emotional sentiment (e.g. ‘bone weary’), bone is considered the absolute reductive essence of our physical selves.  Bones linger,  incorporating evidence of what we ate, how we worked, injuries, illnesses, and environmental conditions during a given lifetime.  Lead, copper and iron, among other metals, bind to our bones as obscure mementos of our experiences.


 

What if those amalgams were to flourish and grow?

What would we see if we could view concepts and ideals, not just the verifiable physicality?

 

My process is a strange dance between the factual, or scientifically based research and the associative, or intuitive and non-verbal.  As I move between the two places, factual and intuitive, internal and external, the results are cross-species hybrids that embody a peculiar romanticized vision of the natural world that betray a very human concept of separateness, of dominion over nature.


Looking deeper still, we see a measure of the unanticipated, in traces of internalized abstract experiences and ideals.

Implicit and explicit.
Internal and external.

 

Jiro Kamata
http://www.artaurea.com/jewelries/101-jiro-kamata

Jiro Kamata’s enthusiasm for the lenses of old reflex cameras developed into a long-lasting design concept.  Kamata believes that the lenses capture and keep special moments like secrets and thinks that this could spark the jewelry wearers’ imagination.

 

Sergey Jivetin
http://crafthaus.ning.com/profile/SergeyJivetin

Jiventin takes an engineering eye, an intuitive understanding of mechanical physics, and the properties of unusual materials, like watch hands, human hair, fishing hooks, eggs, porcelain handles and syringe needles, to create very alive pieces of jewelry.

He sees his jewelry as helping the wearer make the connection between a person’s sense of self and humanity, and that person’s relationship to the work or industrial setting around her.

 

Posted in jewelry design | Tagged: , , , , , | 1 Comment »

Gallery Hopping in August

Posted by learntobead on August 14, 2009

    Jewelry Exhibits at Galleries Around The World

The Sting of Passion
Saturday 11 July 2009 – Sunday 25 October 2009
Manchester Art Gallery
Manchester, England
http://www.manchestergalleries.org/

 

Twelve international jewellery designers present new commissions in response to our Pre-Raphaelite painting collection.

Marianne Schliwinski for Joli Coeur by Dante Gabriel Rossetti

Marianne Schliwinski for Joli Coeur by Dante Gabriel Rossetti

Jivan Astfalck for Sappho by Charles-August Mengin

Jivan Astfalck for Sappho by Charles-August Mengin

 

 

Guild of Phillipine Jewellers
Winners from Past Design Competitions
http://www.guildofphilippinejewellersinc.com/index.php

 

 

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Dorothea Pruhl
http://www.farlang.com/exhibits/padua-dorothea-pruhl/home

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Dorothea Pruhl is a leading exponent of the current art jewellery scene.
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Her aesthetic stance is informed by abstract impressions from nature, concentration on essentials, eminent sensitivity and sculptural power.

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She makes basic statements in gold and silver – but also in wood, aluminium, titanium and stainless steel – impressions manifest in generously proportioned, clear entities.

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Starting with what is there, she tracks it down to its inmost core, applying to its quintessence a new aesthetic idiom – it might be a flower, the wind, a house, birds in flight.

Born in Breslau in 1937, Dorothea Pruhl studied art at Burg Giebichenstein in Halle before working in industry as a designer of manufactured jewellery.

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Susanne Klemm
http://www.susanneklemm.com/susanne.html

“Art creates memories of nature.”

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An Interview With Vintage Costume Jewelry Collector Carole Tanenbaum

http://www.collectorsweekly.com/articles/an-interview-with-vintage-costume-jewelry-collector-carole-tanenbaum/

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By Maribeth Keane and Jessica Lewis, Collectors Weekly Staff (Copyright 2009)

Carole Tanenbaum talks about vintage costume jewelry, discussing the major designers (such as Coco Chanel, Schiaparelli, Trifari, and Schreiner), popular fashion trends, and the origins of costume jewelry. She can be contacted at her website, caroletanenbaum.com.

 

jennifer trask: flourish

Susan Lomuto | Aug 11, 2009 |

http://dailyartmuse.com/2009/08/11/jennifer-trask-flourish/

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Jennifer Trask’s latest series, Unnatural Histories: Flourish, begins with the following definitions of the word flourish:

1. To grow well or luxuriantly; thrive
2. To do or fare well; prosper
3. To be in a period of highest productivity; excellence or influence.
4. To make bold or sweeping movements.

The Hudson Valley, New York based artist, best known for jewelry that incorporates snake vertabrae, beetle shells, feathers, bone, pre-ban ivory and sea urchin shells, might have included her own name for a fifth definition. As her new work of removable jewelry mounted on encaustic drawings and paintings shows, Jennifer.Trask.Is.Flourishing.

 

Polymer Art Archive
http://polymerartarchive.com/

This is a site where professional artists working in the medium of polymer will find inspiration. Museum and gallery curators will be able to access documentation about the evolution of this vibrant medium for artistic expression. And serious collectors will discover windows to new works and the medium’s most collectable artists.

Sandra McCaw, Persian Cuff, 2007

Sandra McCaw, Persian Cuff, 2007

 

 

Rachel Carren, William Morris Sebo Brooch, 2009

Rachel Carren, William Morris Sebo Brooch, 2009

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