Warren Feld Jewelry

Taking Jewelry Making Beyond Craft

Posts Tagged ‘jewelry design’

Winner and Runner-Up Announced!

Posted by learntobead on July 16, 2010

2010 8th International
The Ugly Necklace Contest
– A Jewelry Design Competition With A Twist

Winner and Runner-Up Announced!

Congratulations!

Winner
Sandy Borglum
Chicago, Illinois
“The Purple Eyesore of Texas”

 

 

RUNNER-UP
Lynn Margaret Davy
Wimborne, Dorset, United Kingdom
“Wrinkling”

It’s not easy to do Ugly!, so bravo!

To view all the final results, please visit this web-page.

The next The Ugly Necklace Contest deadline is 3/15/2012.    View the Official Rules here.

Posted in Contests, jewelry design | Tagged: , , | Leave a Comment »

When The Reporter Comes A-Calling…

Posted by learntobead on July 3, 2010

PUBLICITY – WHEN THE REPORTER COMES A-CALLING…

Kathryn was so very excited!    She had just finished speaking with a reporter for a local arts magazine.     He wanted to do a story about her as a jewelry artist.    The magazine was 4-color, very substantial and distributed widely in her hometown area.   Moreover, the reporter promised he’d include 5 pictures in the article.     They made an appointment to meet in the middle of next week.   And Kathryn was thrilled!

The reporter met her at her home.    She greeted him, somewhat giddy, not sure what to say, or say next.    She thought she would let him lead the conversation and interview.    She gave him a short tour of her house – her beading room, her den, her living room.   The reporter marveled at her collection of Pez dispensers and puppets.    A short time later, a photographer joined them.

After 2 hours, the reporter and photographer had left.   Kathryn was satisfied that they had seen several of her bead-woven jewelry pieces.    She felt that she had given them a good history of how she got into jewelry making.    The photographer had taken at least 20 shots of her around the house.   The article was to come out in 3 weeks.

Three weeks later, and there it was.  

A 4-color article.   In a prominent local art magazine.   About her wonderful Pez collection.   And the long staircase from the street level to the living level in her house.   And all her puppets.   And information about her moving from Connecticut to Tennessee and having lived in Georgia.   And she had three children.

And no pictures of her jewelry.  Or her bead room.   Or her making jewelry.    And no pictures, surprisingly, of her Pez collection or her puppets, given how prominently these were featured in the article.   There was a picture of her staircase.   Three pictures of her sitting on a couch or chair.   And a picture of a treasured vase, and quite beautiful.

Kathryn had thought – Now Nashville will know about my jewelry making and design prowess.  

Until she saw the article.

And knew now she’d be known for Pez dispensers.

The opportunity to get featured in a newscast or newspaper or magazine doesn’t come around often.    However, when the opportunity does knock, this can have a big and positive impact on your jewelry making business.    But you have to be prepared.    You have to remain in control – even if this leads to a little tension between you and the reporter.    

First, pre-prepare. 

Determine the 4 or 5 or so major points you want to make about yourself as a designer and about your jewelry.

No matter what questions the reporter asks, turn the conversation back to your major points.    During the interview, keep making the major points.    When the reporter returns to his notes to quote you, this will be all the material he has to draw from.

If you give a reporter a tour of your home, only take him to the jewelry-relevant points of interest.   Where you make the jewelry.    Where you display your jewelry.   Where you have people try on your jewelry.   Where you get inspiration for your jewelry.   And if there’s a photographer or cameraman there, direct and narrow their attention and focus as well.

Pre-think what will be the 5 or so most strategic pictures that should be taken.     Definitely have an “action” shot that shows you making jewelry.   Perhaps another “action” shot that shows you fitting someone with your jewelry, or them trying on your jewelry.     Have some pieces of your jewelry “staged” so that they are photo-ready, with great background, foreground and pedestal.     Don’t wait to take your jewelry out of a box to show them.    Because jewelry is made up of very small pieces, it might not photograph well.   Show the photographer the parts of your jewelry that lend themselves to detailed close-ups.

Make your points.   Get your images.

Second, set the stage.

When the reporter (and photographer or cameraman) arrives, butter them up, and find out how deep and wide their knowledge is about jewelry.   If they only have a shallow understanding, educate them.   How do you find the parts?   How do you determine how the pieces should be constructed?  Do you use specialized tools?    How does someone learn to do what you do?

Also, ask them about the “audience.”   What kinds of things do they think that their “audience” would most like to know about jewelry and jewelry design?

 

Third, before they begin, ask for tips.

If this is getting filmed, ask about how you should stand, (or sit), the direction you should look at, and any do’s and don’ts, as they see it.  

What kinds of things do they like to see/hear in an interview?

Last, when you are done, ask to get a copy.

Be sure you will be sent copies of the written articles, or DVD or video copies of any filming.   Don’t assume they will automatically send you something.

Don’t think all this will make you seem too pushy.
Remember: Everyone will be happy if the story comes out great!

Posted in jewelry design | Tagged: , , , , , | 1 Comment »

Finnish Jewelry Retrospective Exhibit

Posted by learntobead on April 28, 2010

All That Glitters: Finnish Jewelry
traveling exhibit now at the Fitchburg Art Museum, Massachusetts

Organized by the Helsinki Design Museum, this exhibition of Finnish jewelry from the 1930s to contemporary conceptual art pieces follows changes in the meanings and design of jewelry over the decades. The exhibition includes uncluttered Jewelry design from the 1950s by Elis Kauppi, Bertel Gardberg, Börje Rajalin and Paula Häiväoja, Björn Weckströms forceful Lapponia jewelry of the 1960s, and the most interesting achievements of the jewelry industry and designers from recent decades.

It gets frustrating going online, finding out about important jewelry exhibits, and trying to see images of what will be in these exhibits.      Museums and Galleries seem to operate on the hide-and-seek business model.    They hide any images of the pieces to be exhibited, hoping to entice you to come into the exhibit personally.

Alas and alack, this isn’t feasible for most people.    These Museums and Galleries need to evolve from the pre-internet, pre-globalization eras, and look at what Museums like the Smithsonian or the Hermitage or even the Vatican are doing, to make their collections and exhibits more accessible to the masses.      They might be surprised how providing images and information might have positive impacts on local attendance, regional and national recognition, and card, poster and gift sales.

So, here are some things I think you might see at this exhibit.

Eva Gylden, Cameo, 1929

 

Bjorn Weckstrom/Lapponia Jewelry, 1969

 

Reino Saastamoinen, late 1960s

Posted in jewelry design, Stitch 'n Bitch | Tagged: , , , , , | 1 Comment »

Carla Reiter Jewelry

Posted by learntobead on April 28, 2010

Carla Reiter Jewelry
www.carlareiter.com

I came across an article describing Carla Reiter’s metal-knit jewelry, and I had to take a look for myself.

I was impressed, so I thought I’d share some images with you.

Her jewelry looks soft, looks like it drapes well, comfortably and would move well as the wearer moved.   It’s very earthlike, rich, organic.  

Posted in jewelry design, Stitch 'n Bitch | Tagged: , , , , | 1 Comment »

POOR JEWELRY DESIGN

Posted by learntobead on April 15, 2010

Poor Jewelry Design

Here’s an article about Poor Jewelry Design, with many images of examples of such design.    The author makes the point that jewelry must have some kind of personal or cultural meaning, so its value can be measured.     Much contemporary jewelry has an ephemeral, temporary personal or cultural resonance, and ways to value these pieces is difficult or no longer makes sense.

Click HERE.

Posted in jewelry design | Tagged: , , , | 1 Comment »

More Ideation – Jewelry

Posted by learntobead on April 15, 2010

More Ideation – Jewelry

Stefano Marchetti is another metal artist who has spent a lot of time thinking about and discussing ways to think through jewelry design.    In his personal process, he likes to take classical pieces and forms, cut them up or break them into different pieces, and reassemble them into something that meets the contemporary sensibility.

Posted in jewelry design | Tagged: , , , | Leave a Comment »

Giovanni Corvaja

Posted by learntobead on April 15, 2010

Giovanni Corvaja

Inspired by looking at fibers and sponges through a microscope, Italian goldsmith Giovanni Corvaja pushes finely spun precious metal to its limits.
The jewelry is intricate.   Seems gossamer floss thin.    Otherworldly.    He uses a variety of techniques, including knitting, micro welding and granulation to form wisps of gold into sculptural jewelry.

I think part of the successes of these pieces is that he creates this chaotic micro-world, but locks in tightly within a very clear, concise, geometric form or series of lines.


I think this piece below is less satisfying because it lacks that juxtaposition of clear and chaotic forms.

Posted in jewelry design | Tagged: , , | 1 Comment »

Ideation – Jewelry

Posted by learntobead on April 15, 2010

IDEATION – JEWELRY

How do you begin to create the idea of a piece of jewelry in your mind?   What do you start with?   How does the drawing or sketch of the piece begin to emerge?

Noam Elyashiv is a metalsmith and jewelry artist.   Her reputation is based on focusing intently and intellectually on the process of this “jewelry ideation”, and seeing what kinds of pieces of jewelry emerge.   

Her ideation process begins with the exploration of correlations and interactions between line, plane and volume through the composition of her form-related jewelry. 

pair of earrings

She is graduated of the Bezalel Academy of Art & Design, Jerusalem, Israel, Elyashiv’s work is regularly exhibited and published internationally. She has won several awards — among them the America Israel Cultural Foundation Award, the Absolute Vodka Emerging Artists Award and a Rhode Island State Council for the Arts Artist Fellowship in Crafts. Most recently her work was honored by the Art Jewelry Forum.

 

Her current exhibition is  at:

Gallery Loupe for Contemporary Art Jewelry

 

 

I’m not sure that if you begin your ideation process with lines and geometric shapes, that your jewelry has to be tightly bound to these ideas.      But here Noam is making a scholarly and academic point.

And I personally think that the good jewelry designer is one who has a personally elaborated and developed ideation process of her or his own.

 

Posted in jewelry design | Tagged: , , , | Leave a Comment »

Does The Internet Affect Creative Thought?

Posted by learntobead on January 10, 2010

Has the flow of information on the Internet
affected how we think creatively?

I recently finished reading a compilation of scientific studies on this subject.    Some scientists say No, and others say Yes, without any definitive coalescing of ideas on this subject.    But the subject is intriguing, nonetheless.    

As a Jewelry Designer, do we think through our projects and our artistic lives differently today, than say, we would have 20 years ago before the Internet?   Has the Internet changed your way of thinking as a Jewelry Designer?

Here’s what the Internet might do to our thinking:

1. Attention Span

Supposedly out attention spans are shorter, and we expect things to come to us in smaller bits or packages.    Do we find, as a Jewelry Designer, it getting more difficult to stay focused on one thing, one theme, one technique, for too long before bopping off to something else?    Have our projects become simpler, less embellished, more dependent on a spectacular clasp or a particular gemstone, to the detriment of other “design” possibilities within the rest of the piece?

Or have we learned to be more “liquid” in our thinking, able to take in more facts, more ideas, and organize these more coherently?    Do our Jewelry Designs emerge from greater control over more ideas, and ideas coming and changing faster?     Is this more intricate complexity?   Are we more able to incorporate ideas cross-culturally and cross-nationally?     Are we able to design more, for more?

2.   Information Overload

The Internet is a chaotic collection of boundless information.   Are we too aware of too many styles, materials, techniques, fashions, trends?     Is our ability to draw with billions of colors on a computer screen paralyzing when it comes to choosing among the more restrictive colors of available beads?    Do we seem to end up with more unfinished projects, because we don’t have enough time to start the next new idea, if we finished?     Do we end up buying too many materials and too many types of materials because we’re less and less sure what will be relevant when, and because we keep findings out about new materials and new techniques and new fun things to do and with which to experiment?    Do we too often try to mix media within our pieces, to the success of none of the different types of materials?   Does all this information become paralyzing to the extent that it halts us from working on our designing and making?

Or, do our designs seem more coherent, more integrated, sexier because we have more information available to make us think, keep us aware, help us integrate complex ideas?    Are we more willing to do and more successful in doing multi-media projects?    Does mastery over more ideas make us feel more powerful, more motivated, more experimental?

3.  Time Wasted on Email, Facebook, Twitter and the Like

We spend more and more time socially interacting on-line.    Do you find spending time on emails, message boards, forums, facebook, twitter and the like is time you could have spent on designing and making jewelry?    Is a lot of this time redundant, goal-less, wasteful?    Does time spent with these online social networks end up pulling you in even more directions, than if you were not so socially connected?   

Or, does the time spent here help you design better, or help you sell your pieces better, or make you a better consumer of the parts you use in your pieces?    Do you feel you can problem-solve faster with this broader access to more people and more frequently?   Does this broader access help you narrow down your choices to a manageable few?

4.  Fostering Shallowness, Distraction, Credibility

We are used to getting information in small bits, scanning tons of information briefly and superficially, and making choices based on insufficient information — no analysis, no indepth questioning, in very disconnected ways.    Are you less interested in finding meaning, history, depth in the designs, techniques or materials that you use?   Are your designs becoming more simple or straightforward or less challenging?     Do you care less about your pieces beyond following a set of steps and completing your projects?    Do you feel that the title “Jewelry Designer” has less credibility, less currency, less status, less importance relative to your work designing jewelry?   Do you think less about the place of your jewelry in the world?   Is it less important that your jewelry resonate with feeling, or impact people’s lives?     Are you less interested in references from the vintage or traditional past, and overly concerned with the “hot” idea of the moment?   

Or, do you feel more forced or encouraged to try more difficult and challenging designs?    Does the Internet make you ask more questions of your work and find more relevant information – history, culture, personality, fashion – and the like?     Are you more likely to contemporize traditional designs, revitalize vintage pieces, or adapt traditional techniques?

5.  More Confidence, Less Continued Confidence

The Internet gives us a sense of power and place, but it is very fleeting.    Do you feel more important, more established, more credible because you have your own website or are selling on Etsy?    But do you, at the same time, feel this confidence and credibility is more fragile, more easily challenged, more here today and gone tomorrow?    Does selling your pieces on line make you feel stronger, more powerful, more relevant than selling your pieces in a local store?    But at the same time, does selling on line make you feel more vulnerable, less established, more easily and likely to be challenged by many people around the world?

Or, do you see the Internet as opening up new markets for yourself that you can conquer, ad infinitum?   Has it motivated you to do things where before you felt stuck or afraid?  


6.   More Competitive With Time

The speed of information on the Internet is much faster than the ebb and flow of information and time around you.      So do you feel, in today’s world, it is much more difficult to keep up?    Do fashions, styles and techniques change faster than you can adapt to these changes?   Do you feel your competitive market getting further and further from you, at a faster and faster pace?    Do you feel your Jewelry Designs, and your strategies for selling these designs, become “yesterdays” all too quickly?   

Or, does the rapid pace of the Internet, somehow set a more rapid, directed pace for yourself?    Do you see more possibilities, and feel more motivated to keep up with them?   Do you see time as a challenge, and go for it?    When we see the term “hyperlinked”, are we more apt to focus on the “linked”, rather than the “hyper”?

The Internet may make it seem that the framework for good jewelry design is somehow larger.    The information more extensive.    And changing.   Very rapidly.   There seem to be fewer clues on how to weed through all this information, to reject what is irrelevant or unnecessary.   It feels too easy to get caught up in this ever-speeding-up whirlwind of stuff.

The Good Jewelry Designer will continue to learn the fundamentals and make choices accordingly.    We always want to let in the environmental influences around us.    But these influences still need to be managed.   As always.

Posted in jewelry design | Tagged: , , , , | 1 Comment »

When In Doubt – Dung

Posted by learntobead on December 11, 2009

When In Doubt – Dung

People can always create fascinating jewelry from unusual materials.    We get that all the time from entrants for The Ugly Necklace Contest we sponsor.   But it’s less usual to find these things in public.

When I read the short article below in one of my magazines, I thought I’d share:

A Novel Form of Jewelry at Ilinois Zoo

Sparkly reindeer-dung necklaces are going on sale at an Illinois zoo that hopes to attract the same holiday shoppers who swept up its dung Christmas ornaments last year. The limited-edition Magical Reindeer Gem necklaces are on sale at the Miller Park Zoo in Bloomington, IL.

The $15 pendant necklaces contain dried, sterilized reindeer droppings sprayed with glitter on a beaded chain. They are available at the zoo’s gift shop, or by mail for $20.

The ornaments are back, and 450 have already sold this season. About 1,500 are still available for $7.50, or $10 by mail.

Miller Park Zoological Society spokeswoman Susie Ohley admits it’s a bit silly but estimates the zoo could make $16,500. The zoo lost $200,000 under city budget cuts this year.

Posted in jewelry design | Tagged: , , , | 1 Comment »

Ladybug Jewelry

Posted by learntobead on November 27, 2009

Ladybug Jewelry

I was just finishing a review of some new ladybug themed jewelry by Cartier, and was somewhat bored and dissappointed.     Too often these big jewelry houses play it safe — a few elements of high style and blah.

So, I took to the internet, met up with one of my closest friends GOOGLE, and tried to see if I could find anything that was more exciting.

Ladybugs are a big category in jewelry themes.   Ladybugs are supposed to bring good luck.   If a ladybug lands on you, you can make a wish, and the wish supposedly will come true.  

Just Ladybugs
http://www.eclecticala.com/ladybugs/ladybug1.htm

A wide selection of ladybug jewelry, even ladybug wallpaper for your computer.

Nothing here necessarily with a jewelry design edge that I’m looking for, but lots of beautiful pieces, and different ladybug poses.

The Lady Bug Shop
http://store.ladybug-shop.com/index.cfm?action=cat.catalog&categoryID=19

SmithsonianStore.com

Murano glass ladybug jewelry at the Smithsonian

Great Vintage Jewelry
http://www.greatvintagejewelry.com/inc/sdetail/8841

Delizza Elster Jewelry Vintage Lady Bug Pin Glass Jeweled Brooch

Affordable Vintage Jewelry

http://www.affordablevintagejewelry.com/vifllabudpin.html

Vintage Enamel and Faux Pearl Ladybug Brooch

If you wanted to take the theme – LADYBUG – and create pieces of jewelry that might be worn at a President’s State Dinner, or at the Academy Awards, or to enhance a Couture Runway Show, or to make a power statement for a woman management executive, what might the ladybug look like?     How would you start?   Where would you begin?  

Could you go too far — distorting the cherub-like, wishing-well feeling of the simple ladybug?

12/24/09
Since I wrote the original blog about ladybugs, I was introduced to the lampwork of Margaret Zinser.     She has a series with beetles that I think might meet more contemporary design expectations.
http://www.mzglass.com

Posted in jewelry design | Tagged: , , , , | 3 Comments »

Read our FALL DESIGNERS GAZETTE 2009

Posted by learntobead on November 2, 2009

DESIGNERS GAZETTE, FALL 2009

You can read our DESIGNERS GAZETTE, Fall, 2009 online. 

Go To:

http://www.warrenfeldjewelry.com/pdf/fg102009/fall2009pdf.pdf

Posted in jewelry design, Stitch 'n Bitch | Tagged: , , , , , , , , , , , | Leave a Comment »

When Jewelry Needs To Be Over-The-Top…

Posted by learntobead on October 18, 2009

WHEN JEWELRY NEEDS TO BE OVER-THE-TOP…

I was watching Project Runway the other day, and their challenge was to create on over-the-top look, something like a Bob Mackie piece, and of course, he was one of the judges.

The contestants had difficulty reaching beyond their usual boundaries. And I started thinking about jewelry. Sometimes you want to create pieces that are very theatrical, dramatic, glamourous, statement pieces. You want something that would attract someone’s attention across the room, as well as standing beside the wearer. In short, over-the-top.

One jewelry artist who succeeds well at this challenge is Mina d’Ornano, owner of MinaPoe in Paris, France. A Parisienne with Slavic origins, Mina d’Ornano was an actress, screenwriter and director before she decided to channel her creativity into fashion: “My fashion desires came from a feeling of frustration. Never finding what I wanted to wear finally inspired me”.

Inspiration and motivation are key themes behind her minaPoe creations – she is constantly on the look-out for the finest materials and has a preference for soft, luxurious and colorful fabrics, which she combines with precision and harmony. Her pieces have that sense of drama. They seem timeless. They catch the eye as would a chest of treasure. They surprise. They are playful. People see her pieces and want to talk about them.

mina2

 

 

mina1

 

 

mina3

Posted in jewelry design | Tagged: , , , , , | 3 Comments »

Vintage Interpretations

Posted by learntobead on September 15, 2009

Vintage Interpretations

Our bead study group is about to embark on a new series of studies involving bead weaving interpretations of vintage costume jewelry of the 1920’s thru 1950’s.

Walid is a contemporary jewelry designer I came across while researching materials for our new study unit.   He’s very into the interpreting of vintage approach, using bead embroidery, beaded fringe, lace applique.

Walid for CoutureLab

Walid for CoutureLab

 

When interpreting vintage pieces, it is important to understand the materials, and their contribution to the success of the piece.    You would probably want to use Czech seed beads, rather than Japanese, because the Czech seed beads are more irregular.   They would convey a more hand-done, rather than machine-done, sensibility to your piece.   You might rely on hand-cut beads rather than pressed glass, and older color palettes, rather than new ones, for similar reasons.

Walid for CoutureLab

Walid for CoutureLab

 

Historically, people wore jewelry for many reasons.    This included mourning, commemoration, fun, and imitating fine jewelry.

What were the goals of vintage styles?
– appreciation of hand craft
– to be “wealthy” was to be “elegant”
– decadence
– class distinctions
– eccentricy

Walid for CoutureLab

Walid for CoutureLab

People today are attracted to vintage pieces, because these pieces demonstrated great “hand” skill.    Working in vintage styles feels a lot like recapturing lost treasures.    These proven vintage styles seem to transcend fashion.   Wearing vintage jewelry always makes the wearer feel very special because these are always conversation pieces.

So, here were are trying to restore life to forgotten styles.    We want to try to be unique in a cookie cutter era.  

Walid for CoutureLab

Walid for CoutureLab

 

Walid for CoutureLab

Walid for CoutureLab

Some links of interest:

http://www.couturelab.com/editorial/story-walid.heml#1

http://www.collectorsweekly.com/articles/an-interview-with-vintage-costume-jewelry-collector-carole-tanenbaum/

http://www.collectorsweekly.com/costume-jewelry/overview

http://www.collectorsweekly.com/articles/an-interview-with-fine-jewelry-and-costume-jewelry-collector-christie-romero/

Posted in bead weaving | Tagged: , , , , , , , , | Leave a Comment »

Shaun Leane Jewelry

Posted by learntobead on September 3, 2009

Shaun Leane Jewelry
http://www.shaunleane.com/

leane1

I wanted to share some beautiful pieces of jewelry by celebrity jeweler Shaun Leane.

leane2

Awarded UK Jewellery Designer of the Year, Shaun Leane is internationally celebrated for pushing the boundaries of jewellery design.

leane4

Renowned for his darkly romantic and beautifully crafted jewellery; his work has been described by Sotheby’s, London’s prestigious auction house, as ‘antiques of the future’.

leane5

 

 

leane6

 

 

 

leane7

Posted in jewelry design | Tagged: , , | Leave a Comment »