Warren Feld Jewelry

Taking Jewelry Making Beyond Craft

Shoe Jewelry

Posted by learntobead on August 10, 2010

SHOE JEWELRY

The staff had been joking about shoes yesterday, and this led me to my recent online exploration of shoe jewelry.    I found a lot.

There were shoe clips and shoe lace clips.   There were anklets that were connected to the shoe itself.    There were charms in images of shoes.   And rhinestone decorated shows.    And bead decorated crocs.

Lots of things.    Here are some of what I found:

Eleven Best Shoe Jewelry Sites
(More information here: http://www.bessed.com/jewelryforshoes/)
11 of the best sites for finding jewelry made to be worn on shoes and sneakers, sometimes also known as shoe ornaments, shoe charms, shoe tags, or shoe grillz.

1.  Kickbars
http://www.kickbars.com/

Shoelace clips studded with diamonds, emeralds and other jewels, made to go with your favorite sneakers.

2.  Shoeworthy
http://www.shoeworthy.com/

Handcrafted Shoe Clips in every imaginable design and material.

3.  Jibbitz

http://www.crocs.com/jibbitz/jibbitz,default,sc.html

“Charms” to decorate your Crocs, by pushing then into the holes of  your shoes.



4.  Absolutely Audrey

http://www.absolutelyaudrey.com/

More shoe clips.

5.  Make Your Own Shoe Charms
http://www.121collection.com/product_info.php?products_id=516

Here’s your chance to decorate your Crocs with anything you can hot glue!!  These little doodads are similar to Jibbitz or any of the other crocs charms out there.  You can glue buttons, beads, or even fabric appliques to them.  Here’s a great idea:  Hit the scrapbooking store and see what you can find to glue on.

6.  Shoe Jewelry at Advantage Bridal
http://www.advantagebridal.com/shclandac.html

Shoe clips for wedding shoes.     Want a big fluffy flower, or an intrictate rhinestone pin, to clip to your bridal shoes?   Here’s the place.

7.  Shoe Spinners

http://www.icedoutgear.com/SPN239.php

Like a mini hub-cap charm to wear on the sides of your sneakers.

8.  Litter SF
http://www.littersf.com/bootstraps.html

Anklets as part of your shoeware.

9.  J.R. Dunn Jewelers
http://store.jrdunn.com/category_s/112.htm

Shoe Charms

10.  M&J Trim
http://www.mjtrim.com/Centers/Projects/29.aspx

Rhinestone decorated Flip Flops.


11.  SHINE
http://shine.yahoo.com/channel/beauty/spruce-up-your-shoes-fringe-501516/
You can always add fringe to your shoes.

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Winner and Runner-Up Announced!

Posted by learntobead on July 16, 2010

2010 8th International
The Ugly Necklace Contest
– A Jewelry Design Competition With A Twist

Winner and Runner-Up Announced!

Congratulations!

Winner
Sandy Borglum
Chicago, Illinois
“The Purple Eyesore of Texas”

 

 

RUNNER-UP
Lynn Margaret Davy
Wimborne, Dorset, United Kingdom
“Wrinkling”

It’s not easy to do Ugly!, so bravo!

To view all the final results, please visit this web-page.

The next The Ugly Necklace Contest deadline is 3/15/2012.    View the Official Rules here.

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When The Reporter Comes A-Calling…

Posted by learntobead on July 3, 2010

PUBLICITY – WHEN THE REPORTER COMES A-CALLING…

Kathryn was so very excited!    She had just finished speaking with a reporter for a local arts magazine.     He wanted to do a story about her as a jewelry artist.    The magazine was 4-color, very substantial and distributed widely in her hometown area.   Moreover, the reporter promised he’d include 5 pictures in the article.     They made an appointment to meet in the middle of next week.   And Kathryn was thrilled!

The reporter met her at her home.    She greeted him, somewhat giddy, not sure what to say, or say next.    She thought she would let him lead the conversation and interview.    She gave him a short tour of her house – her beading room, her den, her living room.   The reporter marveled at her collection of Pez dispensers and puppets.    A short time later, a photographer joined them.

After 2 hours, the reporter and photographer had left.   Kathryn was satisfied that they had seen several of her bead-woven jewelry pieces.    She felt that she had given them a good history of how she got into jewelry making.    The photographer had taken at least 20 shots of her around the house.   The article was to come out in 3 weeks.

Three weeks later, and there it was.  

A 4-color article.   In a prominent local art magazine.   About her wonderful Pez collection.   And the long staircase from the street level to the living level in her house.   And all her puppets.   And information about her moving from Connecticut to Tennessee and having lived in Georgia.   And she had three children.

And no pictures of her jewelry.  Or her bead room.   Or her making jewelry.    And no pictures, surprisingly, of her Pez collection or her puppets, given how prominently these were featured in the article.   There was a picture of her staircase.   Three pictures of her sitting on a couch or chair.   And a picture of a treasured vase, and quite beautiful.

Kathryn had thought – Now Nashville will know about my jewelry making and design prowess.  

Until she saw the article.

And knew now she’d be known for Pez dispensers.

The opportunity to get featured in a newscast or newspaper or magazine doesn’t come around often.    However, when the opportunity does knock, this can have a big and positive impact on your jewelry making business.    But you have to be prepared.    You have to remain in control – even if this leads to a little tension between you and the reporter.    

First, pre-prepare. 

Determine the 4 or 5 or so major points you want to make about yourself as a designer and about your jewelry.

No matter what questions the reporter asks, turn the conversation back to your major points.    During the interview, keep making the major points.    When the reporter returns to his notes to quote you, this will be all the material he has to draw from.

If you give a reporter a tour of your home, only take him to the jewelry-relevant points of interest.   Where you make the jewelry.    Where you display your jewelry.   Where you have people try on your jewelry.   Where you get inspiration for your jewelry.   And if there’s a photographer or cameraman there, direct and narrow their attention and focus as well.

Pre-think what will be the 5 or so most strategic pictures that should be taken.     Definitely have an “action” shot that shows you making jewelry.   Perhaps another “action” shot that shows you fitting someone with your jewelry, or them trying on your jewelry.     Have some pieces of your jewelry “staged” so that they are photo-ready, with great background, foreground and pedestal.     Don’t wait to take your jewelry out of a box to show them.    Because jewelry is made up of very small pieces, it might not photograph well.   Show the photographer the parts of your jewelry that lend themselves to detailed close-ups.

Make your points.   Get your images.

Second, set the stage.

When the reporter (and photographer or cameraman) arrives, butter them up, and find out how deep and wide their knowledge is about jewelry.   If they only have a shallow understanding, educate them.   How do you find the parts?   How do you determine how the pieces should be constructed?  Do you use specialized tools?    How does someone learn to do what you do?

Also, ask them about the “audience.”   What kinds of things do they think that their “audience” would most like to know about jewelry and jewelry design?

 

Third, before they begin, ask for tips.

If this is getting filmed, ask about how you should stand, (or sit), the direction you should look at, and any do’s and don’ts, as they see it.  

What kinds of things do they like to see/hear in an interview?

Last, when you are done, ask to get a copy.

Be sure you will be sent copies of the written articles, or DVD or video copies of any filming.   Don’t assume they will automatically send you something.

Don’t think all this will make you seem too pushy.
Remember: Everyone will be happy if the story comes out great!

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Loom Work of Douglas Johnson

Posted by learntobead on July 1, 2010

LOOM WORK
Of Douglas Johnson
http://www.douglaswjohnson.com/index.html

The loom work of artist Douglas Johnson is breathtaking and very large.     If you’ve ever worked on a loom, creating Large pieces can be quite a challenge.   Many people sew panels together, and you can always see the seam.    Others create larger and larger looms and strategies for managing large projects.    This is what Douglas Johnson has done.

“I first came in contact with seed beads in 1970. At first I strung them into necklaces using different patterns of color. I loved the colors and was soon shown how to weave them on a loom.

Being a guitar player at the time I decided to make a guitar strap out of beads. So I built a long loom and started weaving a strip of beads to be sewn onto leather. As I was weaving this long strap, I thought it would be nice to get wilder and make a scene out of beads. Imagine a house and barn or even a little village.

So I built a loom that could hold four strips in a row, each strip was 25 beads wide (like my guitar strap) so I ended up with a piece 100 beads wide. I wove each strip separately and sewed them together when they were done.

It was not until 1990 that I figured out how to connect the rows on the loom ending up with a solid piece when taken off the loom.”

Posted in bead weaving | Tagged: , , , , , | 2 Comments »

Summer The Designers Gazette, 2010

Posted by learntobead on June 15, 2010

The Designers Gazette
Summer Issue, 2010

available on-line
CLICK HERE
http://www.warrenfeldjewelry.com/pdf/sg062010/summer2010pdf.pdf

To receive emailed copies of our quarterly newsletter – The Designers Gazette –, as well as occasional First Dibs Sales Announcements, go to this web-page:
http://groups.yahoo.com/group/landofodds/join/

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GO VOTE! — The Ugly Necklace Contest 2010

Posted by learntobead on May 29, 2010

VOTING HAS BEGUN –
8th International 2010
The Ugly Necklace Contest
— A Jewelry Design Competition with a Twist

Click:   GO VOTE!

 One of our semi-finalists will win an almost $1,000 shopping spree on the Land of Odds website!

Who will it be?

2010 Semi-Finalists Announced
OnLine Voting ends July 15, 2010
Jane West, Pelham, Alabama
Alesia DiFederico, Southbury, Connecticut
Lynn Margaret Davy, Dorset, United Kingdom
Deborah Rubin, Rockville, Maryland
Sandy Borglum, Chicago, Illinois
Sharon Wagner, Sterling Heights, Michigan
Bonnie Scherer, Palmer, Alaska
Kimberly Allison, Escondido, California

 

Read the rules for The Ugly Necklace 2012 contest at:
www.landofodds.com/store/uglynecklace.htm
Entries due 3/15/12. Top Prize: $992.93 shopping spree on the Land of Odds website. 2012 Special Rule: Necklaces must consist 75% of beads – however, you define “beads” – and not be longer than 32”; the theme:  “From My Garden Of….” .

Posted in Contests, jewelry design, Stitch 'n Bitch | Tagged: , , , | 4 Comments »

All Dolled Up Competition – 2013 – Announcement

Posted by learntobead on May 14, 2010

ALL DOLLED UP:
Beaded Art Doll Competition

Theme: Transformations
Deadline 8/31/2013

Create a Beaded Art Doll by manipulating beads and forms into an imaginative tactile and visual 3-dimensional representation of this year’s theme: Transformations .
And then writing a Short Story (between 1000-2000 words) about your Beaded Art Doll, what it represents, and how it was created, starting with the sentence:
“As she turns towards me, her hands no longer seem familiar;
her face, once recognizable, now unexpected;
her aura, a palette of changed colors,
I want to share, but can’t all at once.
She is transforming, before my eyes, as if I wished it to happen,
for whatever reason — fun, mundane or sinister — I’m not sure.
But as she moves and evolves, a special insight occurs to me,
so I name her… “

The Fifth 2013 ALL DOLLED UP: BEADED ART DOLL COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.
Entries will be judged by a panel from The Center for Beadwork & Jewelry Arts. These distinguished Beadwork and Jewelry Artist instructors will judge each doll based on
1. INSIGHT: The Bead Artist’s inner awareness and powers of self-expression through sculptural beadwork, particularly in terms of how well this year’s Competition theme is incorporated into the piece.
2. TECHNIQUE(S):
a. Primarily, how well a particular stitch or stitches (or any other technique for applying the beads and embellishing the doll) is (are) executed within and around the piece.
b. Secondarily, how cleverly the internal structure/form/body of the doll has been created/constructed/chosen in relation to the artist’s goals.
3. USE OF BEADS/BEADING AS ARTISTIC MEDIUM: To what extent the doll may be viewed as a work of “art”, rather than “craft”; has the artist fully utilized the power of the “bead/beading stitch” as a medium for art — an expression of color, light, tactile sense and emotion; to what degree does the piece make you want to view the doll from all sides?
4. VISUAL APPEAL: The overall visual appeal of the doll.
5. QUALITY OF WRITTEN STORY: How well the written short story enhances an appreciation of the Beaded Art Doll, as well as the Artist’s talents in design, insight and implementation.
We Need Submissions!
A Beaded Art Doll is a physical representation in three dimensions, using human figural and expressive characteristics, through the creative use and manipulation of beads. Beads are a unique art medium, allowing multidimensional surface treatment, and phenomenal opportunities for interplay among colors, light, shadow, texture and pattern. Beaded Art Dolls submitted as entries for this Competition should be immediately recognizable as a “Doll” as defined above.
That said, Beaded Art Dolls submitted as entries for this competition may be realistic, surrealistic, whimsical or imaginary. They may be humanistic, animalistic, caricatures, cartoons, impressions or abstractions. The doll may take many forms, including a figure, purse, box, vessel, puppet, marionette, or pop-up figure.
Beaded Art Dolls should be between 8” and 36” in size. The surface area of the doll must be at least 80% composed of beads.
The doll’s internal form and structure may result from many techniques, materials and strategies. The bead stitches themselves might be used to create the skeletal structure. Various forms of cloth dolls might be stitched or embellished with beads. The underlying structure might be made of polymer clay, wood, ceramic, porcelain, Styrofoam, wire, corn husk, gourd, basket weaving, yarns, cardboard, paper, cotton, or some combination of materials. It might be a found form or object.
The Artist is given wide leeway in techniques for how the doll is to be beaded, and may use one particular technique or several. Techniques, for example, may include bead weaving stitches, bead embellishment, bead appliqué, bead knitting, bead crochet, bead embroidery, lampworking. For the 80% of the surface area that must be beaded, these would NOT include the application of rhinestones, sequins, nailheads or studs. The beads may be of any size, shape, color and material. [For the remaining 20%, any material is OK, including rhinestones, sequins, nailheads or studs.]
The Artist may include a doll stand or display support with the Art Doll, though this is not a requirement. This stand or support may be an off-the-shelf piece, or created from scratch by the Artist. It may be a base, a created setting, a decorative box, or frame. The stand or display support need not be beaded.
The Artist may interpret and apply the theme “Transformations” any way she or he chooses. The Beaded Art Doll might be thought of as a plaything; or as a visual representation of a person, feeling, spirit or thing; or as a tool for teaching; or as a method for stimulating emotional development or healing.
As an object of art, the goal of the Doll should be to make a statement, evoking an emotional, cultural or social response, either by the Artist her/himself or by others.
The Doll must be an original work, and may be the work of one Artist or a Collaboration.
Dolls have been a part of human existence for many thousands of years. Whether part of a ritual or part of child’s play, dolls function as symbols for meaning. Sometimes these meanings are broad social and cultural references; other times, these meanings focus on an individual’s relationship with oneself.
ALL DOLLED UP: BEADED ART DOLL COMPETITION is more than a beauty pageant. It is a design competition. The Competition will take into account the Artist’s intentions and how well these are incorporated into the design, both in terms of the use of beads/beading, as well as the construction of the doll’s form.

The Fifth 2013 ALL DOLLED UP: BEADED ART DOLL COMPETITION is offering a first prize of a $1000.00 shopping spree on the Land of Odds web-site (www.landofodds.com), and a Runner-Up prize of a $400.00 shopping spree on the web-site.

OFFICIAL RULES

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GROUPON Coupon for Be Dazzled Beads, 5/6

Posted by learntobead on May 5, 2010

Groupon Coupon online for Be Dazzled, May 6-9
http://www.groupon.com/deals/be-dazzled-beads

GET YOUR GROUPON COUPON
For Be Dazzled Beads
$20.00 for $40.00 of merchandise

Look for their SIDE DEAL in their email offers
Between May 6th and 9th,

or go directly to their website to get the coupon.

If you’re not registered for GROUPON, check them out:
www.groupon.com
They have incredible deals, almost daily, for Nashville. Mostly restaurants.

This time we are their Side Deal.     This means that the link to the coupon is a little bit down on the page on the email they send you.    The main heading on the email they send will reference another business.

Groupon is a fun advertisting program.    For a deal to become active, a minimum number of people have to register for it, in our case, 25.     So tell your Nashville Area friends, on FaceBook, My Space, and whereever you’re linked.   The coupons are good for 6 months.     You’ll get $40.00 of merchandise for $20.00.

Other store discounts do not apply with this offer.

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Finnish Jewelry Retrospective Exhibit

Posted by learntobead on April 28, 2010

All That Glitters: Finnish Jewelry
traveling exhibit now at the Fitchburg Art Museum, Massachusetts

Organized by the Helsinki Design Museum, this exhibition of Finnish jewelry from the 1930s to contemporary conceptual art pieces follows changes in the meanings and design of jewelry over the decades. The exhibition includes uncluttered Jewelry design from the 1950s by Elis Kauppi, Bertel Gardberg, Börje Rajalin and Paula Häiväoja, Björn Weckströms forceful Lapponia jewelry of the 1960s, and the most interesting achievements of the jewelry industry and designers from recent decades.

It gets frustrating going online, finding out about important jewelry exhibits, and trying to see images of what will be in these exhibits.      Museums and Galleries seem to operate on the hide-and-seek business model.    They hide any images of the pieces to be exhibited, hoping to entice you to come into the exhibit personally.

Alas and alack, this isn’t feasible for most people.    These Museums and Galleries need to evolve from the pre-internet, pre-globalization eras, and look at what Museums like the Smithsonian or the Hermitage or even the Vatican are doing, to make their collections and exhibits more accessible to the masses.      They might be surprised how providing images and information might have positive impacts on local attendance, regional and national recognition, and card, poster and gift sales.

So, here are some things I think you might see at this exhibit.

Eva Gylden, Cameo, 1929

 

Bjorn Weckstrom/Lapponia Jewelry, 1969

 

Reino Saastamoinen, late 1960s

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Carla Reiter Jewelry

Posted by learntobead on April 28, 2010

Carla Reiter Jewelry
www.carlareiter.com

I came across an article describing Carla Reiter’s metal-knit jewelry, and I had to take a look for myself.

I was impressed, so I thought I’d share some images with you.

Her jewelry looks soft, looks like it drapes well, comfortably and would move well as the wearer moved.   It’s very earthlike, rich, organic.  

Posted in jewelry design, Stitch 'n Bitch | Tagged: , , , , | 1 Comment »

BUSINESS AND JEWELRY ART

Posted by learntobead on April 27, 2010

Business and Jewelry Art

To what extent do (and should) business concerns influence the artistic choices bead and jewelry artists make?

I’d say “A Lot!”  But this isn’t what a lot of artists like to hear.

You have to market to audiences.   You may have to standardize things to be able to make the same thing over and over again.   You may have to work in a production mode and repeat making certain designs, rather than freely create and design anew each time.   You have to price things so that they will sell, and you have to price things so that you can make a sufficient profit.    You can’t undersell yourself, like offering discounts to family, friends and co-workers.

You have to conform to prevalent styles and colors and forms.    You have to make things that will photograph well for sale online.     You have to make things that local stores want and are willing to buy or put on consignment.    You may end up with a lot of “one size fits all.”

You find that if you want to make your jewelry design into a successful business, you may have to compromise with yourself, your artistic drives and sensibilities.    You may have to limit what you offer.    In order to make that sale.   In order to make a profit.   And stay in business.

Business involves:
– Putting your artwork on a sound cost/revenue footing
– Developing market-driven strategies (as opposed to product-driven ones)
– Pricing your pieces for sale
– Implementing various selling strategies
– Compromising artistic and design choices, in the interest of the business

Over and over again, I have seen one jewelry artist after another fail as a business.    The reasons repeat themselves as well.

1. A reluctance to learn how to conduct oneself as a business.    

Many jewelry artists get so excited after selling their first piece, that they think they don’t have to get too involved with business principles.      They understand their “business” as a “necklace-by-necklace” endeavor.   Make something, sell it.   Doesn’t matter what the price.   Doesn’t matter to whom.  Doesn’t matter if making the piece in the first place is in line with the resources you currently have to make the piece, or will drive you in debt in order to get those resources.

Artists need to focus on what’s called “Velocity”.   You need to have in place sufficient strategies for keeping the money turning over at a constant rate.   If you can’t maintain this rate, you  go in the hole.    You make something.  You sell it.  You reallocate the money you just made to reinvesting in more inventory, replacing the inventory you sold, evaluating the pros and cons of the sale that just happened, adjusting accordingly, and strategizing how to keep this velocity going at a constant, or ever-increasing, velocity.

And artists need to keep good records, and implement good accounting principles.

2.   Gets Bored.

People who get started are very excited.   They’ve made a lot of pretty pieces, and someone has bought some of them.    But then you need to leave your creative mode, and enter a production mode.   You need to discipline yourself to make the same things over and over again.   Many artists quickly lose interest.

3.  A fear of marketing your own things

You won’t succeed without marketing.   Marketing is more than advertising.  It includes all forms of self-promotion.  It includes doing research on your markets and market niches, how to reach them, how to get their attention, how to get them to translate this attention into needs and wants and desires, and how to get them to part with some money.    

Many artists are shy about self-promotion.    Time to train yourself, if this is you, to get over it.

4.  Trying to please all audiences

When people get started, they are reluctant to use the “No” word.    They want to please everyone.     But when you get started, you can’t.    It will put you out of business.

Let’s say you have some jewelry that is predominantly purple.   Someone at work loves the jewelry, but asks if you can make it in red.     If you don’t have an inventory of red beads, and will have to go out and buy them, it may make this sale foolish, from a business standpoint.   You can’t buy just one bead at a time; you need to buy strands or packages of these beads.   

When you start, you need to pursue a strategy of depth, rather than breadth.   You want to buy a limited number of pieces in large quantities to get adequate price breaks.   So, initially, your designs will be limited, as well.     You need to be able to say No.    No  to your family.  No to your friends.  No to the people you work with.

In my experience, such as the situation with red vs purple beads above, when you say No, the potential customer tends to make a face.     Pitiful.   Angry.   Frustrated.    Sad.   Pleading.      If you can wait 60 seconds, in almost every case, the customer stops making this face, and says, “OK, I’ll take what you have in purple.”      But so many jewelry artists can’t wait that 60 seconds.

And don’t give these people discounts.    They’re already getting it cheaper, than if they bought the same piece in a store.    One major way your business will get built up is word-of-mouth.   You don’t want some of that information to include extremely low price expecations that will never be self-supporting in your business.

5.  Doesn’t do homework on the competition

You need to understand how other jewelry artists you compete with function as a business.

How do they define their markets?
How do they price things?
What kinds of inventory do they carry?     What kinds do they NOT carry?
Where do they advertise?   How do they promote themselves?
How do they define their competitive advantage — that is, all the reasons people should buy from them, rather than from anyone else, like you?
Where do they sell things — stores, shows, fairs, online, etc?      What seems to work better for them?

You can find a lot of this out by Googling.     You can look for jewelry designers.  Directories of jewelry designers.    You can plug in a jewelry designer’s website, and see where they are listed, and who lists them.

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Semi-Finalists Announced — Ugly Necklaces

Posted by learntobead on April 27, 2010

8th International The Ugly Necklace Contest, 2010
A Jewelry Design Contest with a Twist!

Semi-Finalists Announced

OnLine Voting will begin June 1, 2010
on the
Land of Odds website

It’s that time of year again.    Time to put aside all your desires for beauty, art and taste, and put on your jewelry design skills cap.      Because here they are.  The 2010 Semi-Finalists of The Ugly Necklace Contest.    Each will be waiting for you to judge and evaluate them online.   So one can go home with the prize of $992.93 shopping spree on the Land of Odds website.

It’s Not Easy To Do Ugly!

Your mind and eye won’t let you go there. As research into color and design has shown, your eye and brain compensate for imbalances in color or in the positioning of pieces and objects – they try to correct and harmonize them. You are pre-wired to subconsciously avoid anything that is disorienting, disturbing or distracting.

Because of this, any jewelry designer who attempts to achieve “Ugly,” has to have enough control and discipline to override, perhaps overcome, intuitive, internally integrated principles of good design. Thus, the best jewelry designers will be those artists who can design the Ugliest Necklaces.

Our Special Rules for 2010 required that the color ‘purple’ be predominant in each necklace submission.

OnLine Voting will begin 6/1/10.

Here’s the line-up, with apologies to anyone who might be offended.    Let see how well these jewelry designers did to create something that is Ugly:

(1) Kimberly Allison
Escondido, California
“The Ugliest Necklace.  Period.”

(2) Alesia DiFederico
Southbury, Connecticut
“Super Duper Purple Pooper Scooper”

(3) Sandy Borglum
Chicago, Illinois
“The Purple Eyesore of Texas”

(4) Sharon Wagner
Sterling Heights, Michigan
“Round and Round”

(5) Deborah Eve Rubin
Rockville, Maryland
“The Colors of Purple”

(6) Bonnie J. Scherer
Palmer, Alaska
“Drinking Girl’s Necklace: The Grapes of Wrath”

(7) Lynn Margaret Davy
Wimborne, Dorset, United Kingdom
“Wrinkling”

(8) Jane W. West
Pelham, Alabama
“What Can I Make Today?”

How well do you think you can do?    You might consider starting now on your submission to our next contest.   Deadline is 3/15/2012.

Posted in Contests | Tagged: , , , | 2 Comments »

Using Beads/Jewelry As Economic Development Tool

Posted by learntobead on April 15, 2010

Using Beads and Jewelry
As Tools For Community and Economic Development

Recently, I read a column by Nicholas Kristof in the New York Times entitled Partying to Change the World.

I wanted to share this link with you.

In the article Kristof discusses the work of BeadforLife.

Here two women created an economic support system based on the talents of African women who make beads from trash, and the profit-motive — selling the beads in finished jewelry at home parties in America, and reinvesting this money back in the local enterprises in Africa.  

Moreover, they developed an educational program about Africa for American schools.    The motivation was marketing, but the outcomes far exceed that.

Fascinating story and case study.    I meet many people each year who work with local villagers around the world, to help them find markets for their jewelry, better beading supplies for their craft, and strategies for improving productivity in their efforts.     Here’s a very full and flushed out operation to learn from.

Posted in beads, business of craft | Tagged: , , , , , | 1 Comment »

POOR JEWELRY DESIGN

Posted by learntobead on April 15, 2010

Poor Jewelry Design

Here’s an article about Poor Jewelry Design, with many images of examples of such design.    The author makes the point that jewelry must have some kind of personal or cultural meaning, so its value can be measured.     Much contemporary jewelry has an ephemeral, temporary personal or cultural resonance, and ways to value these pieces is difficult or no longer makes sense.

Click HERE.

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More Ideation – Jewelry

Posted by learntobead on April 15, 2010

More Ideation – Jewelry

Stefano Marchetti is another metal artist who has spent a lot of time thinking about and discussing ways to think through jewelry design.    In his personal process, he likes to take classical pieces and forms, cut them up or break them into different pieces, and reassemble them into something that meets the contemporary sensibility.

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